Einherjar86
Active Member
So, I actually just read the thread for the first time, and your opponent writes:
That is actually entirely correct.
EDIT: I actually think you're misinterpreting him... he's correct in stating that genres have politico-economic origins. Genres are basically contracts with a specific viewership/audience that guarantee they can expect certain artistic qualities. People who buy "erotic fiction" know what they're getting themselves into.
"Black metal" might not be as marketable as "erotic fiction" or "fantasy" or "supernatural young adult gothic" (I have seen this at Barnes & Noble); but it is still only really useful as a category within which to identify specific bands. And this has undeniable economic applicability.
As I already said: Saying that genres don't exist in a strict sense does not imply that one can't distinguish between different works. The point is that genre distinctions have a pragmatic sense, not an ontological one.
That is actually entirely correct.
EDIT: I actually think you're misinterpreting him... he's correct in stating that genres have politico-economic origins. Genres are basically contracts with a specific viewership/audience that guarantee they can expect certain artistic qualities. People who buy "erotic fiction" know what they're getting themselves into.
"Black metal" might not be as marketable as "erotic fiction" or "fantasy" or "supernatural young adult gothic" (I have seen this at Barnes & Noble); but it is still only really useful as a category within which to identify specific bands. And this has undeniable economic applicability.