I thought he was referring to me but I wasn't sure. If I gave a...flying fuck (lol), then I wouldn't have posted it on n00btubz0r.
and in CRY he had 2 black random stars, 1 with gold hardware and 1 with chrome hardware with different tunings ofcourse
would a gp1000 sound good for death metal?
Has Roope ever been seen playing his white ESP live? In CRY he plays the black one for all the songs, regardless of the tuning...
Has Roope ever been seen playing his white ESP live?
When I saw Cob on Gigantour cob's sound guy was playing the white star but Roope never ended up playing it.
On its own, doubtly
from what i "know" of death metal, you might want to go for an amplifier such as Peavey 5150 or 6505, in other words, a more high gain amplifier
A nice ballsy, dry tone from a Perfect Connection would make a nice change to my ears.
What exactly is this Perfect Connection? I often read it in coherence with the GP 1000.
Lee Jackson is a maker, Perfect Connection is name of the series, GP1000 is a model. You also have BP1000 (preamp for basses) and SP1000 (poweramp).
So, Lee Jackson Perfect Connection GP1000 .
http://www.leejackson.com/GP1000.htm
http://www.leejackson.com/BP1000.htm
http://www.leejackson.com/SP1000.htm
There is no Tech 21 PSA1.1 in the tuska 2003 rack.Right, they do make a difference, i understand that, a SP-1000 will sound thinner than a VHT, but you have to understand that this really is very little compared to the other variables in a chain. And in CRY and Tuska, he had a Sansamp 1.1 in his rack, i know this isn't stated in the first post here, but i have seen that sansamp in his rack a number of times after HCDR, and it would make way more sense that the bass and beef during CRY and Tuska came from that one, as opposed to the Peavey 50/50 and such
Mmm, i dont really think alexi has a "preference" in his cab mic placement. The standard position for a SM57 is placed between the cone and the edge and about 2-3 inches distance. Probably off-axis. This is how many sound technicans mic up their cabinets.Other things that could have made those concerts more beefy is the PA, remember that the way you mic up your cab matters a lot, and they use PA, simply because anything over 400 people, a cab will come short, it HAS to be mic'ed up, and from 2001 to 2003 and 06, random chance, or alexis preference in cab mic placement could easily have changed. Poweramp could have added some beef, but that would be from the TUBES, and i stated that in my post
You have any idea how much different type of tubes there are?A poweramp matters in your sound, but you will still be able to find your tone on ANY Tube Poweramp, not ONLY a VHT, or ONLY a Peavey 50/50
There is a difference from SS to Tube, but that should be self-explanatory.
Haha, i think your making some mistake buddy. Guitars are usually made of alder (fender, Jackson, esp) or mahogany (gibson) or basswood(cheaper guitars). Cabinets are NOT made of this wood.just as in your guitar, the wood and build of the CABINET matters for how the speaker sends out the sound, seriously, there are more things to a cab than just the speaker, don't even try saying anything else.
Cheap cabinets are made from cheap materials, much like guitars are. You can load a cheap cabinet with Celestions, like V30's, but they will never sound as tight and nice as they would through a Marshall cab, or a Krank cab(they use wholewood i believe, mahogany maybe), or the one i want: Basson. Basson cabs are really interesting because not only are they made from REAL wood, they also have sealed corners, so NO air escapes. This gives a much tighter sound, than any of cheap cabs could give. If you use a dark tonewood to this aswell, like Mahogany, you will get a darker tighter sound, or if Alder or Maple, a Treblier, or more Mid oriented sound.