Which 7 String? Cooley? Loomis? Vai?

Good god in (fake) heaven does this guitar give me a boner :notworthy Never played one, but people seem to like 'em a lot and say they're great bang for the buck! And you could get some Duncan Blackouts to fit in there (EMG's wouldn't)

Or this, which looks the same but in boring black with boring ebony :D

Oh wait, looks like the Blue one is 25.5", and the Black 27" :erk:
 
This is my main Axe, and i love it!

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I had no luck with that guitar. sold it after 6 months. the cheap machine heads were putting the guitar out of tune every now and then. and the 707 was not for me. sold it.

lol so true. Right... I think the pre-requisites are: Rosewood board, EMG actives, thinnest neck possible :lol:

Cannot help you on that BUT my main seven is a Royal Blue 2007 Ibanez RG1527. Excellent neck. Changed the neck PU to a DiMarzio Dsonic. Really really tight.

I have another one a bit older. Great guitars for the price.

The UV is the guitar you want if you want a thin neck. Needless to say that the Schecter are super thick.
I'd rather track the RH guitars of an album with a C7 tough.

I put my hands on the Cooley. Very nice feeling, great resonance for a tremolo guitar. But I did not try it on an amp.

For the moment I found nothing that suits me better than the Ibanez.
The petrucci maybe but I am not in the situation I can spend 2500 boogie-woogies on a guitar.
 
I've owned a bunch of 7s and played some more, maybe this could help you out

Ibanez S7320 - I had a gloss black one and a flat green one made for the guitarist from Tony Danza Tapdance Extravaganza. Very nice sounding guitars, and the trem rules. I really dislike Floyds most of the time but the ZR rocks - its very stable, so you can switch into and out of drop tunings without it putting the whole thing out of tune. It feels great on your picking hand, so nice and smooth, and the adjustable tension is a nice touch. Like any double locking trem, I believe it kills the tone a bit but the S7320 seems to deal with it better than most. I hated the neck. It uses the new Wizard II profile so it is really, really square on the back with extremely pronounced shoulders and isn't even that thin. The fret work on both guitars was shoddy, which was surprising on the green one since it was made for an endorsee. Both had dead spots on the neck and just didn't play that great. Most of all, I hated how the neck felt.. but they sounded awesome. I had a stock Ibby bridge, Lundgren M7, DiMarzio Evo and a Bareknuckle Nailbomb in the bridge at different times.. the Ibby sucked but with the other ones, these things slayed.

Jackson COW 7 string - I've had two black ones and a silverburst. The older black ones had fatter necks on them that I found to be uncomfortable towards the nut but not bad at all in the higher register. The newer silverburst has a much thinner neck, with an extremely comfortable profile. My buddy's blackmachine B7 has almost exactly the same profile & thickness. The price has gone too be way too high though - these things are just not worth $1,000 new. You can bag them used for $500 for a black one to $750-800 for a silverburst or red one. They play so, so well.. awesome top end Jackson Japan finishing on the frets and neck. But, the tuners are cheap. All of mine have had tuning problems typically on the G string. Also, the headstock is huge. My silverburst's headstock broke in shipping when I sold it, so I ended up refunding the money and keeping it.. fixed the headstock and had all the frets pulled and re-done and now it is the best 7 I've ever owned. I miss having a neck pickup but can deal with it since the guitar otherwise rules so incredibly hard.

Ernie Ball Musicman Petrucci 7 - odd looking guitar sure but an awesome player. Piezos are nice, the bridge feels great, holds tuning well, and isn't a double locker so it doesn't kill the tone. Incredibly thin neck but it has a magical profile so I ordered my custom 7 string with the same thing. Loved to play it, and while it looks odd, it is just so comfortable to play. The arm carve is sweet. They are expensive though and I didn't like how it sounded - so flabby and weak with the basswood body. Sold it before swapping pickups around and I wish I'd kept it.

Petrucci BFR 7 - all the playability of the cheaper 7 string but with awesome tone. Alder body, flame maple top and a mahogany tone block or something like that - sounds AWESOME, plays awesome, looks awesome, but expensive.

ESP Custom Shop SRC-7 - Steph Carpenter's old sig model with the 7 string single coil in the neck. The biggest dog of a guitar I've ever owned, flipped it in about ten days. Tonally dead, so incredibly thin sounding, weighed a ton. Was awesome to look at but just sounded so bad and I've heard that from a lot of people who have played or owned one. Sell for $1400ish used when you find them.. not worth $500 IMO.

Schecter Hellraiser C7 - very cool guitar, awesome 7 for the price. I prefer how maple or ebony sounds though.. never played a Loomis or an ATX but that would be the way I would go if I wanted a Schecter. The necks aren't that fat, either, I thought it felt great. Sounded massive!

I've had some others but those are the big ones.. I had a Ibanez 2077XL, played the 1057 and a couple Universes, briefly played a blackmachine and had one on order etc. but my favorite out of all of them are my silverburst COW and the BFR Petrucci.
 
Yes, very happy with the Loomis 7 here. I have the one with the FR tremolo, which I love. I may get a fixed bridge 7 at some point to compliment it, perhaps a custom guitar, still deciding and definitely not in a hurry.

I've previously owned two Ibanez 7's and two LTD 7's and wasn't very happy with those. Mahogany, Korina, or Swamp Ash is the way to go for heavy stuff.
 
We have similar tastes in axes, kev. Everyone seems to recommend the Loomis from what I've seen, so I'd say that.
 
Yes, very happy with the Loomis 7 here. I have the one with the FR tremolo, which I love. I may get a fixed bridge 7 at some point to compliment it, perhaps a custom guitar, still deciding and definitely not in a hurry.

I've previously owned two Ibanez 7's and two LTD 7's and wasn't very happy with those. Mahogany, Korina, or Swamp Ash is the way to go for heavy stuff.

How is the FR on the Loomis model? I owned the hard tail version and like an idiot I sold it :erk: I'm thinking about using my left over store credit money at my local shop to order one, but I believe they don't make the hard tail version anymore.
 
Damn Brett, you still haven't made up your mind about what to spend that store credit on? :lol:

Well I bought a Schecter C-1 Classic because the owner gave it to me for $600 which was IMO a good deal considering it goes for $750. So after dumping that damn Gibson (:bah:) I'm still left with about 1G. So to answer your question, no I haven't made up my damn mind! :lol: I've been so busy with school and multiple jobs that I haven't had much time to jam or just check out guitars :(
 
Aren't the Ibanez S series mahogany body? That would atleast keep you with the Ibanez neck which you're comfortable with. Thin body so not too heavy also.
 
Caparison FTW if you can afford it.

oh and about those Agile guitars I mentioned before..the stock pickups are weak and you can't adjust height without modding it. They offer some with EMG's and I seen you like thinner necks. Well the Agiles are thinner than Schecter but not as thin as an Ibanez. I still don't get the thin neck thing that some people complain about ¯\(°_o)/¯ lol What is the advantage? or is it just a preference?
 
Psshh, you know that Caparison is gonna be ludicrously expensive - doesn't make sense to me to spend that much on something that really isn't gonna affect the tone (and it won't, no way is a Cap guaranteed to sound better than, say, a much more reasonably priced ESP standard, at least not when it's being "shoved into a gain sandwich" as Jeff would say). And the thin neck thing is 100% comfort preference for me; I just find Schecter necks to be too thick and kinda clumsy feeling, but I'm sure I could get used to it (I just don't see a reason to, cuz I don't really like the look of the guitars anyway :p)
 
Psshh, you know that Caparison is gonna be ludicrously expensive - doesn't make sense to me to spend that much on something that really isn't gonna affect the tone (and it won't, no way is a Cap guaranteed to sound better than, say, a much more reasonably priced ESP standard, at least not when it's being "shoved into a gain sandwich" as Jeff would say). And the thin neck thing is 100% comfort preference for me; I just find Schecter necks to be too thick and kinda clumsy feeling, but I'm sure I could get used to it (I just don't see a reason to, cuz I don't really like the look of the guitars anyway :p)


I feel you are right in a sense here...But ESP doesn't seem to be offering many seven's these days in their standard line.

I had a Caparison and I must say, the build quality was EXCELLENT, but I did not like the walnut body mine had. Would love a mahogany one though.

-Joe
 
If your willing to pay that kinda money id consider a custom RAN guitar. I got a quote quite recently and it would set me back a little less than a Jackson USA standard model and BOY are those guitars LUSH! *The Ran's I mean*
 
Psshh, you know that Caparison is gonna be ludicrously expensive - doesn't make sense to me to spend that much on something that really isn't gonna affect the tone (and it won't, no way is a Cap guaranteed to sound better than, say, a much more reasonably priced ESP standard, at least not when it's being "shoved into a gain sandwich" as Jeff would say). And the thin neck thing is 100% comfort preference for me; I just find Schecter necks to be too thick and kinda clumsy feeling, but I'm sure I could get used to it (I just don't see a reason to, cuz I don't really like the look of the guitars anyway :p)

Depends if Kev wants the looks of a Cap or not, sure tone wise they're not gonna be much better than a decent ESP, but I personally love the look of them, shame I'm a southpaw. And I love the look of Schecter's (personal preference).
 
Yeah, I'm more speaking generally, I feel paying over $2k for a guitar is purely indulgent, and the sound for high gain stuff will barely be different (if at all) - and while I admit I've never recorded with a >$1.5k guitar, I've heard (and gotten myself) so many awesome tones out of guitars WAY cheaper that I'm confident in my opinion that the more expensive ones have no benefits except in bragging rights (and build quality, probably, but whatever, I can get a luthier to fix the frets on a cheaper axe if they're not perfect).