All Glam All the Time

Enuff Z Nuff isn't a bad band if you cane get behind the shit image, the neon, the "peace" stuff... They have some killer tracks on their records. Their down fall was their inconsistent records. They have all been a mixed bag. They are a modern day Cheap Trick....
 
I'm too old school, the most glam I go for is The Sweet ;).

And for the record I don't consider Skid Row glam, one of the few US 80's bands I dig.

Mesmerize - 'Bitter Crop'
 
sixxswine said:
Enuff Z Nuff isn't a bad band if you cane get behind the shit image, the neon, the "peace" stuff... They have some killer tracks on their records. Their down fall was their inconsistent records. They have all been a mixed bag. They are a modern day Cheap Trick....

Unfortunately, I've seen them live a lot, opening for other bands in the Chicago area, and I can't get past the shit image, and piss poor live performance. BUT I DO like Cheap Trick up to & including Dream Police.
So I'm somewhat inconsistant, and pretty hard to pigeon hole my non-metal tastes..... :D

J-Dubya
 
J-Dubya 777 said:
BUT I DO like Cheap Trick up to & including Dream Police.
So I'm somewhat inconsistant, and pretty hard to pigeon hole my non-metal tastes..... :D

J-Dubya

Same here. The first few Cheap Trick albums were brilliant.
 
I'll be the first to admit that I'm highly uneducated when it comes to the difference between glam and hair metal. It seems to me there's a lot of crossover.

That said, I can't believe no one's mentioned Rough Cutt. Could have something to do with the fact that Shortino was underutilized in a hair/glam band. The pipes on that man would be sufficient to equip a friggin' Mack truck.

Other than them, all my favorites from that era have been mentioned.
 
Hawk said:
Same here. The first few Cheap Trick albums were brilliant.

Jus for the amazing live version of 'I Want You To Want Me' ("LIve At Budokan") Cheap Trick will go into history. I never grew tired of listening to that tune.
 
I think generally the difference is that "hair metal" refers to the whole '80s big haired lighter side of metal, be it hard rock, glam, pop-metal, melodic rock, etc. Whereas "glam" is a specific style within that whole hair metal scene. Glam pretty much refers to your raw, trashy, straight outta the gutters of Hollywood lipstick-smeared SLEAZE bands, oozing with sex, bad attitudes, teased hair, drugs, alcohol, tattoos, strippers, skin tight leather, trashy makeup, etc. Glam is kinda the more "dangerous" side of '80s hair metal. Faster Pussycat, Alleycat Scratch, Ana Black, first LA Guns album, Erotic Suicide, Pretty Boy Floyd, Tuff, Tigertailz, early Motley Crue, etc. The glam bands are the ones more concerned with attitude, sleaze and the "sex, drugs & rock n roll" lifestyle than any real musical substance. Whereas bands like Winger, Warrant, Dokken, Slaughter, Firehouse, Skid Row, Danger Danger, Cinderella etc were just '80s hard rock bands and big hair/leather/spandex/makeup happened to be the "rock look" of that era.
 
There you got the opinion of the specialist !!!
You know Castle Blak Trixxi ?? I used to have an album called Babes in Toyland. That was a real "glam" looking band and had some decent tunes as I recall....
 
Okay, I remembered the name of the band.... Peppermint Creeps. One night at the Rainbow Pabla and I met Traci, this far-out kid totally into Glam. Dressed to the 'nines' in a glam, punk, goth sort of look. I found a myspace link but they are not a glam band, more punk. anywhoooo...
http://www.myspace.com/creeps
 
Trixxi Trash said:
I think generally the difference is that "hair metal" refers to the whole '80s big haired lighter side of metal, be it hard rock, glam, pop-metal, melodic rock, etc. Whereas "glam" is a specific style within that whole hair metal scene.

Cool! Thanks! I feel far more educated now. :headbang:
 
Metal Dog said:
I don't know much about the Sweet but the frontman of british AOR band Shy (Tony Mills) is going to be singing with the Sweet on their upcoming world tour

That's cool, that guy has an awesome voice (or used to have in the 80's anyway).
 
Metal Dog said:
I don't know much about the Sweet but the frontman of british AOR band Shy (Tony Mills) is going to be singing with the Sweet on their upcoming world tour

Amazing British band form the 70's.

The nucleus of The Sweet came together in 1966, when drummer Michael Thomas Tucker (b. 17 July 1947, Harlesden, London, England) and vocalist Brian Francis Connolly (b. 5 October 1945, Hamilton, Scotland) played together in Wainwright's Gentlemen, a small-time club circuit band whose repertoire comprised a mixture of Motown, R&B and psychedelia. The pair broke away to form Sweetshop, later shortened to just Sweet, with Steve Norman Priest (b. 23 February 1950, Hayes, Middlesex) on bass and Frank Torpey on guitar. After releasing four unsuccessful singles on Fontana and EMI, Torpey was replaced by first Mick Stewart, and then Mick by Andrew David Scott (b. 30 June 1949, Wrexham, Wales) and the new line-up signed to RCA. The band were introduced to the writing partnership of Chinn and Chapman, who were to provide the band with a string of hit singles. Their initial success was down to bubblegum pop anthems such as Funny Funny, Co-Co, Poppa Joe and Little Willy. However, the band were writing their own hard-rock numbers on the b-sides of these hits. This resulted in Chinn/Chapman coming up with heavier pop-rock numbers, most notably the powerful Blockbuster, which reached number 1 in the UK at the beginning of 1973. The group's determinedly effete, glam-rock image was reinforced by a succession of Top 10 hits, including Hell Raiser, Ballroom Blitz, Teenage Rampage and The Six Teens.

Sweet decided to take greater control of their own destiny in 1974 and recorded the album Sweet Fanny Adams without the assistance of Chinn and Chapman. The album charted at number 27, but disappeared again after just two weeks. The work marked a significant departure from their commercially-minded singles on which they had built their reputation. Set Me Free, Restless and Sweet F.A. epitomized their no-frills hard-rock style. Desolation Boulevard included the self-penned Fox On The Run which was to hit number 2 in the UK singles chart. This gave the band confidence and renewed RCA's faith in the band as a commercial proposition. However, as Sweet became more of an albums band, the hit singles began to dry up, with 1978's Love Is Like Oxygen being their last Top 10 hit. Following a move to Polydor, they cut four albums with each release making less impact than its predecessor. Their brand of melodic rock, infused with infectious hooks and brutal riffs, now failed to satisfy both the teenybopper and the more mature rock fan. Since 1982, various incarnations of the band have appeared from time to time, with up to two of the original members in any one line-up. The most recent of these was in 1986, when they recorded a live album at London's Marquee Club, with Paul Mario Day (ex-More) handling the vocals. Brian Connolly now suffers from a muscular disorder, however, his grim situation was warmed in 1992 with the incredible success of the film Wayne's World and the subsequent renewed interest in the Sweet, due to the track in the film Ballroom Blitz. Since then, the two current versions of the band, Andy Scott's Sweet, and Brian Connolly's Sweet, have been regularly touring and gigging, and even producing their own new material (which will be detailed in this site as it expands). Brian Francis Connolly dies in hospital on Sunday February 9th 1997, aged 52. Michael Thomas Tucker lost his battle with lukaemia and died on February 14th 2002, aged 54