I want to apologize for using the word "wannabees", it was derogetory and mean spirited. All of the drummers everyone else mentioned have made some significant contribution to music. Maybe I can state my case without careless namecalling. Remember, this thread is supposed to be about Best Drummer(s). How does one judge that?? I think of several things..(1) A wide and deep rhythmic vocabulary, (2) Lots of 4 way coordination and limb independence, (2) Super high skill level with great speed, control, accuracy, and endurance, (3) Use of advanced and deep concepts, such as mixed meter, polyrhythms, displacements, counterpoint, (4) imagination, creativity, originality, (5) having other styles mixed in like jazz, fusion, latin, (6) using the sound sources on the set in new and technically challenging combinations and configurations....The drummers I admire most really excell in all these areas. I have to agree with some of the angry replies, there are some great drummers that I would like to complement: I can see why Flo M of Cryptopsy is high on many lists. He's got extreme speed, he's full of quick changes, and the whole band is so aggresive with lots of variations and surprises, Flo captures the spirit of EXTREMENESS. John Longstreth of Origin has great speed and endurance, has hand patterns on 2 different cymbals over his feet with great phrasing with the band figures. Esp "Disease called Man" he switches the figure from hihats to cymbals to snare, a baddass approach !! Richard Christy of Death, Lots of power and speed, over some complicated band writing. I also want to mention someone who nobody mentioned. Hendrik Oh from Theory in Practice. Vicious speed, complicated stuff, lots of changes and surprises, a bit like the drummer for "Deeds of Flesh". But please don't try to sell me on Portnoy and Peart; they did some tasty stuff, good ideas, great bands, but pretty lacking in the chops, coordination dept.