I think I can safely say that I haven't come across a single band that expertly meshes egyptian soundscapes with metal. Individual songs sometimes, but it's apparently not a very popular mythology or ambient addition. Shame.
his final sentence clarifies he's not outright rejecting feelings at all, so i think you're probably selling him short (though he should've used a better word than 'emotional' in the sentence you quote, like sentimental or maudlin or something.) in fact, i think he's saying the opposite; that modern bands don't express authentic feeling, they're more detached and calculated and less in tune with the spirit that made metal so magical in the first place. i agree this applies to plenty of mainstream/critically acclaimed metal these days; i find a lot of the genre-bending quite pseudo-intellectual and empty of feeling or reason, and i definitely get that sense of a lot of modern metal trying really hard to sound mature, intelligent, experimental, different etc rather than actually being those things. it's not exclusive to modern metal of course, it's just become a lot more trendy as the genre's moved more and more into the public sphere.
i just think that those bands shouldn't put others off from making something different if they actually have the artistic chops to do so, nor should metalheads automatically reject such bands by association. i mean, my favourite metal album of the decade is by harvey milk, it's an incredibly unique, passionate doom record in its own way but has been completely ignored by old school doomheads, and i do wonder if that's not just because it's quite different and often grouped in with some of the shittier stuff that gets good reviews in mainstream metal/hipster mags. that's not to say it would be to all of their tastes or that you can't legitimately think they suck or w/e, but i know quite a few people in old school circles who wouldn't even give a band like that a chance due to their being of the wrong pedigree or whatever, and that's lame.
I know he wasn't rejecting feelings categorically, just "wimpy" emotions like sadness, as opposed to "badass" emotions like anger and hatred. It logically follows that Warning should be considered untrue, even if they do fall into the traditional doom metal mold.
What the fuck are you rambling about? He didn't say one word about "wimpy" emotions like sadness.
You gotta read between the lines. He was railing against new variants of doom that emerged in the nineties, while saying that metal shouldn't be "overly emotional," so it's clear that the main target of his ire is stuff like My Dying Bride, on account of being too weepy or maudlin or whatever. So it makes no sense that Warning's Watching from a Distance is perfectly okay, yet MDB's The Angel and the Dark River tramples all over doom metal's venerated observances and rituals.
You gotta read between the lines. He was railing against new variants of doom that emerged in the nineties, while saying that metal shouldn't be "overly emotional," so it's clear that the main target of his ire is stuff like My Dying Bride, on account of being too weepy or maudlin or whatever. So it makes no sense that Warning's Watching from a Distance is perfectly okay, yet MDB's The Angel and the Dark River tramples all over doom metal's venerated observances and rituals.
Geoff Tate is one of the most underrated vocalists in metal history.
You're just making shit up, I'm quite familiar with Sami's views as I've been an obsessed Reverend Bizarre fan for years, I've read every single interview with Sami available online.
I can basically guarantee that the bollocks you're inserting "between the lines" is false.
Geoff Tate is one of the most underrated vocalists in metal history.