Same section of the CMA:
29.22 (1) It is not an infringement of copyright for an individual to reproduce a work or other subject-matter or any substantial part of a work or other subject-matter if
- (b) the individual legally obtained the copy of the work or other subject-matter from which the reproduction is made, other than by borrowing it or renting it, and owns or is authorized to use the medium or device on which it is reproduced
This is another requirement that makes this doubly impossible to be legal. The individual who is obtaining a copy of something can only receive a copy of something that the individual (the same person receiving the copy) legally purchased or otherwise own the rights to.
Also relevant:
Copyright in
performer’s
performance
(1.03) Subsections (1.01) and (1.02) apply,
and are deemed to have applied, regardless of
whether the country in question became a Berne
Convention country, a WCT country or a WTO
Member before or after the coming into force of
those subsections.
6. Section 10 of the Act is repealed.
7. Subsection 13(2) of the Act is repealed.
8. The headings before section 15 of the
Act are replaced by the following:
PART II
COPYRIGHT IN PERFORMERS’
PERFORMANCES, SOUND RECORDINGS
AND COMMUNICATION SIGNALS AND
MORAL RIGHTS IN PERFORMERS’
PERFORMANCES
PERFORMERS’ RIGHTS
Copyright
9. (1) Section 15 of the Act is amended by
adding the following after subsection (1):
(1.1) Subject to subsections (2.1) and (2.2),
a performer’s copyright in the performer’s
performance consists of the sole right to do
the following acts in relation to the performer’s
performance or any substantial part of it and to
authorize any of those acts:
(a) if it is not fixed,
(i) to communicate it to the public by
telecommunication,
(ii) to perform it in public, if it is
communicated to the public by telecom-
munication otherwise than by communica-
tion signal, and
(b)
if it is fixed in a sound recording, to
reproduce that fixation;
(c) to rent out a sound recording of it;
It's illegal to reproduce a copyrighted recording without the performer’s approval while the performer holds the copyright to the material.
Game over.