Thus, apart from the slowness, these bands did not seem to have anything in common with doom metal; doom has its defining traits buried deeper in the song structure, the overall atmosphere of the music, and in the entire doom culture surrounding the music. The style of compsoition is very traditional in doom metal, relying strongly on harmony, in many cases even the blues scale (not always, though), etc., whereas the new bands – e.g. Winter, Thergothon, Unholy, and early My Dying Bride – either were more experimental or just applied directly the disharmonic elements and structures of thrash and death metal. Furthermore, whereas the bleak atmosphere of doom metal had traditionally been strongly influenced by the hardships of the working class life, the new generation found their inspiration in high cultural philosophical investigation, and the angst of Romantic Genius.