That wasn't supposed to be funny.
they were saying that back in 2006, GMD will never die. ill still be here on my zimmer frame.
Oh yeah, forgot you posted @Baroque. Have you got a list to scrape in at the last minute? Sabbath's done pretty damn well already though so not like they need more votes, haha.Placeholder, I’ll list some stuff later and stuff
btw Black Sabbath will be all of the top
If you're getting some Budgie, be sure to get Never Turn Your Back on a Friend. That's probably their highest quality album. All of their first four albums are great, though.
Get these albums, 'never turn your back on a friend' and 'in for the kill'. They were waaaaaay ahead of their time.
Budgie, having released their first album in '71, I think, would not be a NWOBHM band, imo...but I do consider them as one of the cornerstone bands in the establishment of heavy metal, if you will. Every bit as essential to the developement of the 'heavier' sound as the afore mentioned bands. They also have one of the best all time song titles in 'Nude Disintegrating Parachutist Woman'.
Yeah, In Trance is fantastic. It'd probably make my top five of any genre these days.
Yep my favorite Scorpions albums are also from the 70s Roth era. I like 'In Trance' and 'Virgin Killer' the best. The guitarwork on the 'Roth albums' is just great.
in a just world their '70s material would be nearly as popular as priest's.
You are joking right? `child in time` is heavy metal? lol
See, Blackmore was a Hendrix fan, his intro to speed king was Hendrix based, as were a few other of his riffs. So, do you think Hendrix was `heavy metal` too???
No way.Deep Purple in Rock is one of the first heavy metal albums ya dumb cunts.
My favourite Australian album regardless of genre is probably Volcanic Rock by Buffalo. Now that was a great fucking band.
Buffalo: Volcanic Rock.................sticker on Cover of Digipack states "Explosive Australian 70'S Stoner Rock" dunno about that but its classic
Deep Purple were one of the first heavy metal bands, they are one of the founders of the genre and the fact that some of you here still have trouble digesting this is honestly an embarrassment to this forum.
I picked up Deep Purple's Machine Head per TB's advice/raving. And.. I didn't like it one bit. It sounds weak.
worlds best metel Band
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You Must Try To listening
SABOTAGE is another big drop off for me. their production and musicianship remains god tier up to that point but they'd started to become such a tonal grab bag, you can tell there's scant unity between the guys' ambitions anymore and they don't know how to pull that together into a coherent album. they were really lacking economy by that point too, you could chop a couple of minutes off many of the songs and improve them. i'd also argue that the r'n'r/pop-rock/prog tropes littering SABOTAGE were far more commonplace in the mid-'70s than the sound sabbath were doing before, and that a style (or collection of styles) that's considered a mark of maturity and newfound adventure is actually a regression.
Both Sabbath Bloody Sabbath and Sabotage have their flaws, but the highest points of the latter are preferable to me.
I mean, British is mindless mediocre fun, sure, but mediocre nonetheless. Killing Machine is just a bit less mediocre, but compared to the great albums from the great bands in similar developing stages, it falls real short.
Killing Machine is kind of shitty as far as Priest is concerned.
I have a hard time finishing that one any more.
I don't ever wanna see a Judas Priest show where Rob Halford doesn't have a moment where he's in his biker gear on the Harley and 'Hell Bent for Leather' gets played.
This one stood out above the rest and remains a favorite to this day.
imo, Stained Class was the "most metal" album at its time. Full of aggressive speed-y songs, marching proto-power metal tracks, stripped away a lot of the bluesier elements and has this raw, dry edge to it while still featuring a lot of ideas and mature songwriting.
Dio and the Heaven and Hell album are very good, but there's something eerily magical about those first two Rainbow records that I don't think can be surpassed.
For me is the other way around. "Heaven and Hell" is THE album, "Rising" can be second.
Ritchie Blackmore and Dio coming together was in my opinion the best thing thing to happen to Hard Rock/Heavy Metal. Rainbow was basically proto-power metal. Rising is a 10/10 for me.
I really don't care for 80s Scorpions. They're like traditional heavy metal taken to its logical extreme of hollow, polished boredom. But 70s Scorpions is beginning to interest me. Dipped my toe into Fly to the Rainbow, In Trance, Lovedrive, and now Taken by Force is legitimately kicking my ass. "The Sails of Charon" is possibly one of the best 70s metal songs I've ever heard.
Probably controversial
The worst Scorpions album from In Trance to Love at First Sting is actually Taken By Force.
It starts out with the abysmal Steamrock Fever and pretty much never recovers from the weinerish 70s rock vibe the entire album gushes. And I'm fully aware it's 70s rock/metal but the rest of their albums from the timeframe have a much heavier/badass vibe to the music.
has their best and worst material, all within the same song!
The right amount of experimentation
I'd like to know what in the blue fuck you'd call songs like The Hammer or Overkill's title track aside from speed metal.
Into the Void and Vol 4 are basically the birth of stoner metal/rock imo
Ozzy-era Black Sabbath - Despite the legendary status of almost all of the first eight Black Sabbath records, only Paranoid, Master of Reality and Vol. 4 stand the test of time as albums.
The consensus is that Black Sabbath's debut is the first "real/full" metal album.
I mean, Sabbath wasn't the most shocking thing ever to my ears, I'd already imbibed in the rawest stuff I could find up to that point with bands like The Sonics, The Stooges, The MC5, The Jimi Hendrix Experience, Blue Cheer, The Kinks, etc. However, it was something of a seismic shift, because I can't remember knowing how to categorize Sabbath initially other than that they were some sort of super mutation of hard rock. It was like they'd happened upon the secret recipe to the most epic and evil sounding coagulation of sound in musical form.