I'd buy the whole "ProgPower folks are largely fanboys, whereas HC folks aren't" argument, if everyone in this forum wasn't hanging on Nemtheanga's every word like twelve year old girls at a Justin Timberlake show....maybe it's me, but we have to recognize that the audience which makes up the HC crowd is VASTLY different to the comic-con folks who attend ProgPower.
While the folks who attend HC may enjoy a different brand of Metal than those who attend PP, and perhaps that translates into a different personality type (though I don't see it), in the end, promotion is promotion. Call it a "Black Shield" if you think that sounds more kvlt and attach a different set of perks to it, and in turn a different stigma. However, I don't think you can discount how the best festival in the US was built, when trying to build your own US fest.I get the feeling that HC would be trying to push a square into where a circle would fit.
I think you have to separate the fact that you had a great time getting drunk with folks you only see once a year, and putting asses in the seats.By the way, HC2 was easily as great as HC1 (even with a significantly different kind of line up), but then again, this fest is about more than just the line up. Two greatest festival experiences I've ever been too, easily.
Note number 3- Jason are you doing the paypal account?!? If not, I'll do it, with 10% of all contributions set aside for the NAACP. (Just to ensure we can travel to St. Paul with out incident.
Maybe for you, but apparently not for the promoters:HC2 >>>>>>>>>>>>>>>>>>>>>>>>>>>> HC1
I think you have to separate the fact that you had a great time getting drunk with folks you only see once a year, and putting asses in the seats.
Folks let's not forget Mistermayhem lives in MN. Not to mention the charm that MN adds to the event from knowing that the majority of the attendees traveled to BFE to see an event of a lifetime. Hold it NY, that entire vibe is ousted
never mind the fact that placing your show in January ANYWHERE is not going to draw nearly as many people, with students in class, people recovering from holiday expenditures, weather, and fucking... fuck. I really want to go next time if there is a next time.
SO, realistically thinking ... there are only 2 solutions for a profitable event ...
a) location, location, location ... as they say in the business world
b) really take a chance and shell out big bucks for 1 or 2 real world class bands to anchor it around
A) Agreed. As a Minnesota resident, I can tell you; Fucking nobody fills up clubs in winter. It just doesn't happen.
B) Suggestions? I'd say a band the size/popularity of Darkthrone(I'm not sure if they play live) or Borknagar/Vintersorg (which is a fucking great idea if you can get him to play two sets).
(assuming Oystein would resurrect Molested...maybe I make it a condition to re-release their stuff...plac HC III or it is off ).
Out of curiosity, what exactly is so different about these two groups? You're talking about two groups of people who are passionate about underground, aggressive music. Two groups who largely dress in band t-shirt and jeans. Two groups who have extensive CD collections. Two groups who are willing to travel long distances to see obscure bands none of their friends or family have heard of. Two groups who feel an unspoken bond, with others who they've never met, based solely on a common interest in music. Yeah... night and day.
While the folks who attend HC may enjoy a different brand of Metal than those who attend PP, and perhaps that translates into a different personality type (though I don't see it), in the end, promotion is promotion. Call it a "Black Shield" if you think that sounds more kvlt and attach a different set of perks to it, and in turn a different stigma. However, I don't think you can discount how the best festival in the US was built, when trying to build your own US fest.
Two things built ProgPower; Gold Badges and real headliners. Glenn took a bath on PPI and PPII until he went all in and brought in Blind Guardian, Gamma Ray and Angra. I don't think you'll dispute that you're not going to build a sustainable festival around a crap Power Metal headliner (at an extreme Metal fest) and a line-up that is little more than a glorified Battle of the Bands. Especially not in Minnesota in the dead of winter. Obviously, that wasn't the intent when the planning of HC II started, but it's the way it turned out.
If I was the HC guys, I'd look to sell 100 "Black Shields" on their web site, for $150 each, refundable if the festival doesn't happen. Have a counter on the site, that shows people how close the festival is to either continuing or going under. If they hit their goal, they've got $15K to work with before they have to shell out dollar one. Try to stick with almost all U.S. bands, with the exception of one non-U.S. headliner, and any other non-U.S. bands willing to cover their own travel.
I think you have to separate the fact that you had a great time getting drunk with folks you only see once a year, and putting asses in the seats.
Maybe for you, but apparently not for the promoters:
Based on HC1, HC2 happened.
Based on HC2, HC3 may not.
Zod
5 stars
I say we scrap the NY RC-fest plans and just collectively shift all our attention to making sure HC3 happens.
We can have the RC fest at HC 3 (and Gwynbleidd can play again).
b) really take a chance and shell out big bucks for 1 or 2 real world class bands to anchor it around
The vibe I get from the two festivals is very similar.That's how it appears on the surface but that's not what I'm talking about, and it's certainly not the vibe I get. Far far from it.
I'm not talking about making it a cash machine, only sustainable.But not every venture has to turn into a profitable scheme where the line up naturally becomes inferior by the year, just to get cheaper bands and cream more profit.
The majority of the roster was stocked with unsigned bands.By the way, how did HC2 become a "battle of the bands"? Not sure if I follow.
I assume this isn't a direct response to anything I said. My suggestion was one overseas headliner, not Finland's Top 10.Of course, it's not up to me, but I'd hate to see this low-key gathering with smaller underground intl' bands turn into a massive seated auditorium with rockstar bands only interested in selling records and making the billboard top 10 in Finland.
No one's talking about it becoming "glossy", only sustainable.It's just never going to happen in this scene of music, none of these bands are candidates for headlining Wacken, so it's inherently impossible to force HC into becoming something so glossy as ProgPower.
Accept for the fact, that as is, it won't survive?In my opinion, every single thing about HC is perfect --
Agreed. And the only real way to do that is with a real headliner; Amon Amarth, Enslaved, Satyricon, Dimmu Borgir, Gojira, etc. By the way, all of those bands have had their videos played several times on the Headbanger's Ball. Neither Epica nor Nightwish have ever had a video played on MTV.The only thing that needs changing is selling more tickets. And that onus is either on (a) more fans buying tickets, or (b) the music suddenly becoming as popular as Nightwish or Epica.
Hint: The answer is (a).