horror movie hoe-down!!!
- Thread starter Black Winter Day
- Start date
NAD
What A Horrible Night To Have A Curse
I don't have tits anymore! I burned them off, down to an AA-cup! Not terribly impressive these days.
However I do still retain a 7 pound bucket of fudge in the beer zone. Sucks, mostly because I'm too lazy/hungry to burn that off. Fuck running. I'd rather sit.
EDIT: Also I haven't watched Batman Returns in 20 years, and since DeVito as Penguin always scared the fuck out of me, this season I shall break the trend.
Finally Hallowe'en night itself I always watch two movies: Night of the Living Dead and Halloween III. Why? Because it just WORKS, dammit.
Finally x2: Halloween III: Season of the Witch = 10 stars (out of 5). The best thing ever.
However I do still retain a 7 pound bucket of fudge in the beer zone. Sucks, mostly because I'm too lazy/hungry to burn that off. Fuck running. I'd rather sit.
EDIT: Also I haven't watched Batman Returns in 20 years, and since DeVito as Penguin always scared the fuck out of me, this season I shall break the trend.
Finally Hallowe'en night itself I always watch two movies: Night of the Living Dead and Halloween III. Why? Because it just WORKS, dammit.
Finally x2: Halloween III: Season of the Witch = 10 stars (out of 5). The best thing ever.
NAD
What A Horrible Night To Have A Curse
Reign in Acai
Of Elephant and Man
neal
wizard in black
Yes, you should watch it a second time. Images can explain many things you just need to pay attention to them.
Well, this is a first. So, someone's actually being nice to me on a heavy metal forum.. Unbelievable. Hmm.. that doesn't seem quite right, does it?
Anyway, just to clear things up, yes my avatar is a picture of me because I'm a narcissistic bitch. Whatever.
refraction
Member
Metal forums can be weird. My first post on ultimatemetal got me into a flame war about geopolitics. I dig this place though.
rms
Active Member
Climb Thar Hill
not family oriented
Netflix keeps telling me to watch Ghost Cat. FINE, I'll watch Ghost Cat. 
P.S. - Viewed 7 Below with Val Kilmer and Ving Rhames. Bad acting on the part of Val Kilmer...everyone else was not so bad, and the movie was fairly intriguing and watchable until the end. Well, I figured out early how it was generally going to end, but still.
P.S. - Viewed 7 Below with Val Kilmer and Ving Rhames. Bad acting on the part of Val Kilmer...everyone else was not so bad, and the movie was fairly intriguing and watchable until the end. Well, I figured out early how it was generally going to end, but still.
Ars Magna
Ars Magna Recordings
Krilons Resa
Jerry's married?!
NAD
What A Horrible Night To Have A Curse
The Exorcist III was fuckin' awesome. 
Night of the Demons was frickin' cool.
I read John Dies at the End so now I can see the movie.
Night of the Demons was frickin' cool.
I read John Dies at the End so now I can see the movie.
NAD
What A Horrible Night To Have A Curse
Nah. But damn good. The Exorcist might be my favoUrite scary movie ever, it's on a high pedestal in my own sad little domain.
In the midst of a Halloween I thru III marathon right now. Breaking it up with oil changes, burgers, porn, etc. Someday I'll watch IV and up. Maybe.
dorian gray
Returning videotapes
- Apr 8, 2004
- 21,258
- 489
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I like all of them, even the really really bad later ones. There is one that's so bad I didn't even knew it was released and I'm a huge Halloween buff
dorian gray
Returning videotapes
- Apr 8, 2004
- 21,258
- 489
- 83
Heh...looked it up: Resurrection. It's horrrrrible
So...I've mentioned this before but has anyone seen Trick R Treat? It's really good
So...I've mentioned this before but has anyone seen Trick R Treat? It's really good
NAD
What A Horrible Night To Have A Curse
Trick R Treat rules. One of the best werewolf bits ever.
Halloween II is half awesome, half poop. I forgot how lame the last third truly remains. Wow my math sucks. Nice boobs though.
Halloween II is half awesome, half poop. I forgot how lame the last third truly remains. Wow my math sucks. Nice boobs though.
Dick Sirloin
please... stay safe
- Jan 6, 2004
- 7,237
- 41
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One of my favorite movies of all time
The definitive version of ‘70s cult classic The Wicker Man will be released later this month in a new beautiful digital restoration. Using a 35mm print that was recently discovered at the Harvard Film Archive, this restored final cut of the film has been approved by its director, Robin Hardy, as the one that, in his words, “fulfills my vision.” The unauthorized version released back in 1973 was mutilated by its original distributor and is the movie that most of us are familiar with. So, this resurrected edition really should be an eye-opener for fans and novices alike.
The unmolested print of The Wicker Man was discovered via a Facebook campaign launched by the film’s current worldwide rights holder Studiocanal. Other than re-introducing me to an old flame that eventually became my wife, this is about the grooviest thing Facebook has done for me personally.
The film’s press release offers some details:
Butchered by its doomed UK distributor to fit on double bills, with its original camera negative apparently lost, THE WICKER MAN has gathered a devoted fan base over the past four decades. Some missing scenes were recovered from an obsolete one-inch broadcast tape, but over the years there were rumors of complete 35mm prints floating around.
Earlier this year, the search intensified when worldwide rights holder Studiocanal initiated a Facebook campaign to recover the missing 35mm material, resulting in the discovery of a 92-minute 35mm release print at the Harvard Film Archive. This print was scanned and sent to London, where it was recently inspected by director Robin Hardy, who confirmed that it was the same cut he had put together for its American distributor in 1979, years after the film’s UK bow. This culminated in a digital restoration of the complete U.S. theatrical version, which director Hardy recently anointed as “the final cut.”
The Wicker Man will be opening Friday, September 27 at IFC Center in NY, Nuart in LA, and national release to follow. Thanks to Rialto distribution for getting behind it and getting it out there.
The definitive version of ‘70s cult classic The Wicker Man will be released later this month in a new beautiful digital restoration. Using a 35mm print that was recently discovered at the Harvard Film Archive, this restored final cut of the film has been approved by its director, Robin Hardy, as the one that, in his words, “fulfills my vision.” The unauthorized version released back in 1973 was mutilated by its original distributor and is the movie that most of us are familiar with. So, this resurrected edition really should be an eye-opener for fans and novices alike.
The unmolested print of The Wicker Man was discovered via a Facebook campaign launched by the film’s current worldwide rights holder Studiocanal. Other than re-introducing me to an old flame that eventually became my wife, this is about the grooviest thing Facebook has done for me personally.
The film’s press release offers some details:
Butchered by its doomed UK distributor to fit on double bills, with its original camera negative apparently lost, THE WICKER MAN has gathered a devoted fan base over the past four decades. Some missing scenes were recovered from an obsolete one-inch broadcast tape, but over the years there were rumors of complete 35mm prints floating around.
Earlier this year, the search intensified when worldwide rights holder Studiocanal initiated a Facebook campaign to recover the missing 35mm material, resulting in the discovery of a 92-minute 35mm release print at the Harvard Film Archive. This print was scanned and sent to London, where it was recently inspected by director Robin Hardy, who confirmed that it was the same cut he had put together for its American distributor in 1979, years after the film’s UK bow. This culminated in a digital restoration of the complete U.S. theatrical version, which director Hardy recently anointed as “the final cut.”
The Wicker Man will be opening Friday, September 27 at IFC Center in NY, Nuart in LA, and national release to follow. Thanks to Rialto distribution for getting behind it and getting it out there.
