Ilias7
Member
- Aug 24, 2016
- 345
- 184
- 43
Okay, song structures may be similar, which may or may not be due to Howard Benson, and lets pretend House doesn't exist, But I Am Above, I, The Mask and Voices represent the best work this side of >SoaPF<. I think we'll finally get a worthy sucessor to that album, even though it 100% will NOT be as good. There is a considerable difference between the way >Battles< and >I, The Mask< songs have had their verse arrangements written, and the riffage (while signature IF to the point of plagerising their own work in some peoples eyes) is much much more intense, heavy, and better thought out than on Battles. The End and Us Against The World aside, there are no songs on battles that keep pace with the main riff throughout its entire run time. I, The Mask (song) has the same fast paced drumming and some more riffing (great riffing btw) in the chorus like does in the verses until it reaches the "breakdown" in the middle of the song and then it picks right back up again to the same fast speed. Voices keeps its relentless steamrolling groove going throughout the whole thing, and I Am Above for the most part does too. >Battles< always slowed down to half time during verses or choruses and the mix faded away from the instrumentation to let Anders' heavily autotuned vocals (Another thing there is less of, but it is still there at times. look at the chorus of Voices, the way he uses his voice at the end of the sentences, that is good vocal technique, and not autotuned at all) shine through (see Through My Eyes or Underneath My Skin) and the song took a turn from a seemingly heavy song with poor production to mainstream leaning bullshit that is highly forgettable. Seriously, Here Until Forever is the only song to really not fit this mould and have it's own identity on the record in a memorable way. This new album may keep more upbeat and clean choruses, but the speed is there. The drumming is nothing spectacular but it keeps a strong pace and intensity instead of simply keeping time. The guitar work aside from solos IS the best since >SoaPF< and not to mention the tracks are he most guitar driven since that era too. The production is the best since >SoaPF< because of the decent guitar tone, no overbearing focus on vocals, and no randomly louder or quieter bits. Bass could do with a clearer tone/higher volume though #BringBackPetersDistortedBassTones. Furthermore, the 'feel' of the album, far removed from the depressive melancholy of >SC< (which I do like, in a way) and commercial bubblegum happiness of >Battles<, feels suitably moody similar to >SoaPF< but in a way that adds to the songs. We'll see how my opinion on this changes as we hear more songs, but frankly at this point I can't see any way it can be even compared to Battles in terms of quality.
EDIT: Sorry for the Jester Slave level of lengthy post
I agree with the most of your post. I agree that the songs maintain their fast pace and that they are full of riffs in contrast to Battles. Choruses are different too. Everything seems guitar-driven, which I like.
But we can't pretend that House doesn't exist, because it does and it's 100% Battles. Also, the pre-choruses from IAA and ITM remind me of Battles in a way. So do the song-structures.
As I said before, I think this album will be a combination of ASOP, SOAPF and Battles.