Are you going to be at the Melbourne show?
Spot on...pluss I have to add that Opeth never can escape the fact that their music somehow ends up being boring in the end. It's good and sometimes great, but in the end..I end up with a yawn.
But glad people like it. I've always said that I hoped Opeth would get the appraise the deserve...I guess it comes a bit late, but sure..why not..huzzah!
Fixed.
Sounded like more Opeth to me. Not much has ever changed imo.
Axe is awesome, but I miss Lopez. I'm rather surprised when I read people on other forums saying how Lopez isn't missed and Axe's drumming is the best, etc. I felt that Lopez' style was integral to the music and really helped carry along certain parts and keep them interesting even when there was alot of repetition. Axe's drumming in other projects like Bloodbath is sublime and I love it, so I'm not knocking him at all. I just prefer Martin's drumming in Opeth, personally.
Yep. I'm doing Menbourne, Sydney Brisbane. I bet I'm going to be sleep deprived again like I was for Porcupine Tree but It will be damn fun. Would you be up for some chating in the queue before the Melbourne show?Indeed, got my tix last week...are you coming down for it?
Axe is awesome, but I miss Lopez. I'm rather surprised when I read people on other forums saying how Lopez isn't missed and Axe's drumming is the best, etc. I felt that Lopez' style was integral to the music and really helped carry along certain parts and keep them interesting even when there was alot of repetition. Axe's drumming in other projects like Bloodbath is sublime and I love it, so I'm not knocking him at all. I just prefer Martin's drumming in Opeth, personally.
I enjoy the mellow material on "Watershed" the most. That's the stuff where Opeth really shines and connects with me personally.
Yep. I'm doing Menbourne, Sydney Brisbane. I bet I'm going to be sleep deprived again like I was for Porcupine Tree but It will be damn fun. Would you be up for some chating in the queue before the Melbourne show?
There's just this one short 'circus music' part in the whole almost 9-minute song, I like it, it fits i.m.o. and I like the fact that they chose to put it in there despite its 'oddness' and just went 'fuck you, we're gonna do what we want'. Just like the funny ending of "Burden". I'm not totally in love with this record yet, but I do admire Opeth for their courage and probably it will grow on me with time, I'm playing it a lot anyway.I could do with less circus music, and questionable song structure.