That is a great reply Brother Vern. I have trained you well Padawan.
Bryant
Thank you master, I really try not to get driven to the dark side like Hawk did
Cellador's debut album was, to me, a great example of why what they do should be called POWER metal, because it's powerful. It wasn't gussied up with overbearing keyboards or orchestration. It didn't have some schlocky ballad-
I agree with you that they are not keyboard drenched, ridiculously symphonic or having ballads. And yes the album is quite energetic but in this particular case (and of course is
personal thing) I'm more with TSO and Carnut about the power feeling. I'm not trying to deter people to listen to the band and acquire a taste for them, freedom of choice is what metal is all about.
I don't know who it was that gave the Helloweenish style bands the moniker of POWER, but he needs to be strung up by the gonads...look at the problems it's caused in the genre categories 15 years down the road.
Me neither but basically is a fact that most metalheads catalogue power metal after Helloween (that the band have originated the style is of course quite arguible). I'll give you an example of my own experience:
In 1990 when "Painkiller" came out I was static at the masterpiece Priest created (still am). One day I was going with to acquaintances (which at the time played ina death metal band) in my car while playing my recorded tape of the album and they asked me what band was that. I told them (pretty stranged to myself) that was Judas Priest and they told me
damn it sound like Helloween.
This was way before Internet, MySpace and donwloads and these guys were also jaded of the metal scene outside death and thrash. One of the same guys was passing videos to me from MTV (Headbangers Ball) and among them was 'Carry On' from Angra which I loved immediately, and he said to me
I knew you'll like it it sounds like Helloween (with obvious disgust from him).
A final example and I sware this is truth (but sadly I don't have the proof anymore). When I bought KOTSK-2 on vinyl, the plastic covering the album had a sticker that read
masters of Progressive Metal, etc. (or something close to it), I mean Helloween was catalogued by their own label as progressive metal, now 20 years later people give that moniker to Dream Theater and Hellowen is a power metal band
My point is that at that time we used to compare bands more than use tagging, tags have become a curse of our late days. I just looked at a band in England whose tag in MySpace is
down-tempo/ambiental/metal, and they play
doom for what I care, so what's the point of the complex tagging?
My final proposal goes like this:
Don't use tags at all when cataloguing a band, find the known band most close to its sound and say
it sounds like and (moreover) offer the person to check the material first hand (welcome to the digital era and the information superhighway). Like I said back in 1990 it was a case of somebody buying the album and lending to friends, now mostly anyone can access the music of a band a judge by themselves what the hell it is.
I pretty much agree with you and prefer the more "powerful" bands of the powermetal sub-genre like Angel Dust.
Bryant
OK this give me another of my silly ideas. Why not use a band to describe what
each one believe is suitable to define a label or sub-genre? When people come and ask you
what is **** metal all about?, you gave them the name of the band you think it represents the sub-genre or label the best.
So for me if anyone comes and ask me what
prog-power is all about I will use Angel Dust because for me they are what the sound, sub-genre and label is all about. Let's say the subject is
thrash I will pick Hallows Eve, or
doom and I will say Solstice,
speed and I will bring out Exciter,
death and my pick will be Obituary, etc.
P.S. Are we having a good discussion or what?