Indeed suspense makes the best horror, but it's even better for me with the slightest bit of gore for the gross out factor, i.e. The Thing, Alien, Dawn of the Dead. Now those are scary.
The gore in House by the Cemetery isn't particularly memorable, compared to other Fulci films, but it shines because I think they nail the suspense of "there's an evil creature in the basement," and then during the final scenes it is an absolute nightmare.
On the other end you get the snoozefest J-horrors which try their hardest to make it all suspense, with no payoff, or if they do its when something finally appears at the end. Along these same line, is the 70s horror classic, Don't Look Now, which I'd say suffers from the same problem. People love it though, and claim its terrifying, so its worth a try. The ending is frightening, sure, but completely hilarious at the same time. I won't spoil it, but I just find it too funny.
I am all for hidden, unspeakable horrors, Lovecraft style, but the thing is if the writing can't pull that off, it just doesn't work. This is why in film adaptations of Lovecraft's works, I'd dare say the payoff of showing a creature is mandatory. Carpenter and Gordon made masterworks of this combination of film artistry and Lovecraftian horror. This reminds me that the episode of Master of Horror, "Dreams in the Witch House," is particularly well done, though not at all frightening.
I forget from the thread a while ago where we talked about [REC], but have you seen that film? I'd say its probably the closest thing we've had in a while to a modern day Night of the Living Dead.
There was an episode of the 80's Twilight Zone revival, titled "Gramma," that scared the crap out of me. It's based on a Stephen King short and is pretty much his take on the Lovecraft mythos.
i think you're thinking of an episode of Amazing Stories, the series that Spielberg directed/produced.I barely remember any of those 80's twilight zones, except for some episode where a kid makes a potion to turn photos of ladies into real people and until he perfects it they all come out deformed somehow, and then at the end as he's leaving with his hot magazine ladyfriend the beaker spills and drips off the counter onto a photo of some monster alien thingy OH NOOOoo THEY'RE ALL DOOMED.
Monsters
(Like Tales From The Dark Side, this show can look cheesy at times, but it's still cool. Each episode always builds up to a "reveal" as the climax of the episode. The special effects aren't up there with Tales From The Crypt, but they look a little better than Tales From The Darkside.)
Friday the 13th -- The Series
(This series is like a detective series, and doesn't really have anything to do with the movie series of the same name. I don't even know why I listed it, but there's this cool episode about a comic book moster, so hahahahahlololooTEOL.)
i think you're thinking of an episode of Amazing Stories, the series that Spielberg directed/produced.
OH MY FUCKING GOD YES. i didn't think anyone else watched those damn shows.
when we stayed with will's dad's friend in MA, i saw they had this channel called Chiller and an episode of Friday the 13th the Series was on and i juset about died. i love that show so fucking much.
much older horror/supernatual anthology series' i remember - syndicated on the sci fi channel roughly 10 yrs ago and never seen again hahah:
American Gothic: only 22 episodes, this drama/horror starring Gary Cole, set in a fictional southern town involving Cole as this demon-like creature who basically controls the town. He had a son but the ghost of the boy's half-sister is fighting Cole for control of him, creepy stuff ensues.
Lights Out: from the early 50s i think, adapted from an old radio show featuring tales of the spooky and strange
Tales of Tomorrow: also from around the early 50s, like adaptations of pulp sci-fi novels and comics, like a more "out there" version of the twilight zone
Night Gallery: what Rod Serling did after the Twilight Zone, but in the horror vein, also incorporated twist endings
The Ray Bradbury Theater: adaptations of many of his stories
Boris Karloff's Thriller: an hour long in format and using suspense and crime stories more often than the supernatural
I DON'T BELIEVE YOU
American Gothic: only 22 episodes, this drama/horror starring Gary Cole, set in a fictional southern town involving Cole as this demon-like creature who basically controls the town. He had a son but the ghost of the boy's half-sister is fighting Cole for control of him, creepy stuff ensues.
muahahahahahahahhanuts! It seems you're right!
Anyway, I recall this one having a horror vibe to it.