Orchid doesn't get enough recognition it DESERVES. It's a masterpiece, just like any other TRUE Opeth fan will claim, period.
Let's do a breakdown of the amazingness of this album shall we?
1. In Mist She Was Standing - Amazing riffs, double bass to insanity. At about the 4:00 minute mark it turns into intense groove based rhythms with dual layered guitars (which I miss A LOT) and busting out into random solos of greatness. Then the 7:00 minute hits. You start to go up a mountain, and then start to come off the peak as he says " DARKNESS ENCLOSING..............." fucking amazing. Then it calms down, goes into some headbanging grooves, slows down a bit, and lifts you back up to insanity.
11:40 - Fucking Magic. End of story about this song.
2. Under the Weeping Moon - Classic, amazing intro, then slows down again getting breakneck lyrics with amazing force at 2:50. Great riffing until the intense breakdown at 6:22. Rest is history.
3. Silhouette - Best instrumental Opeth has ever done. That is all.
4. Forest of October - Fuck, this song is so full of win. Incredible beginning, riffing is hardcore at sections, and dual guitars AGAIN. I miss shit like this, such great energy. Then goes off into doomy breakdown at 7:10. After that incredibly groovy double bass section that starts at 9:18 (with another background solo, of course. fucking ridiculous). Then the uplifting ending, that makes this song perfect in every way that encompasses Opeth's talent. Period.
5. THE TWILIGHT IS MY ROBE - Most underrated song they have in existence, aside from probably Nectar. Absolutely ridiculous opening, into one of my favorite riffs EVER: 2:11. OH MY GAAWSH. "Shrouded in crystals
Through a frosty dusk. Souls of the fullmoon awaaaaaaaaaaaaaaaaaaaaaitssssssss". Acoustic breakdown in middle to set the mood for the fucking AMAZING outro riff starting at 5:45. Brilliance. I love this part so much, amazing. Of course it doesnt end here, another amazing acoustic section then into another double bass assault of incredible tempo AND a ridiculously fucking insane riff on TOP of hardcore vocals. Amazing. 7:30 this section starts.
Then, the best outro ever. I headbang to this each and every time, makes this song explode. 10:15-end. Yep.
Requiem - Nice filler track, most older albums have these. Something I love to play on guitar. DUAL GUITARS AGAIN.
ahh, and last but not least we have: The Apostle in Triumph. Brilliant acoustic opening, you think the album is going to close (of course not, I did when I first heard it though) then it goes down into groovy bass sections until it starts hammering your face slowly at 4:34 - then it really drills your face into the ground at 4:51. Grooves, double bass, dual guitars. Doesn't let up. Then old school drop offs that make watershed stuff look similar (the lotus eater comes to mind), yet IMMEDIATELY picks back up with another catchy amazing riff at 8:30. More double bass, solos out of everywhere.
This album destroys. If you haven't listened to it and your an Opeth fan, buy it now.