I think it's safe to say Porcelain Heart is nearly universally disliked by Opeth lovers (including me). Since the main/intro riff for this song was written by Fredrik, this caused people to go "LOL NOOB GUY" on him. This couldn't be further from the truth, bitches!
I think that riff is a very good one and suits very well to the album. It's not the main problem with this song. There are tons of awesome Opeth songs containing riffs worse than that riff in some place or another.
I hereby enlist the problems with this song, and you are obliged to agree:
1. The acoustic + clean vocals part ("I lost all I had..."): I think the acoustic part is flat out mediocre (means "horrible" for Opeth) and the vocal lines suck as well. It's just not good enough, plus it's slow which means you can't just ignore the melody and headbang anyway. Making a slow part requires that its melodies be awesome enough. This slow part just gets super boring and occupies the first 4 minutes of this song. 4 minutes means two Slayer songs
2. The Grand Conjuration revisited: That riff wasn't great in TGC in the first place and nobody needed to redo it again but they did anyway. The AAAH AAAH part isn't really great either.
3. Mediocre solo: In these forums Mike once said that the biggest challenge in Watershed was that "the solo of PH be desolate enough". Well, it does sound desolate but not good enough. I think it's a pretty standard Opeth song and without any other instrument behind (rhythms from either rhythm guitars or drums that you can follow) it becomes hard to follow it without getting bored.
4. The lullaby part: I think this part is very good, I might even call it great. Problem is that you have to endure the 5 minutes of mediocre stuff before it.
5. TGC riff again: It sucked in TGC, it sucked in PH's first part, it sucks in PH's second part. Whichever part uses this riff will always suck. And it just repeats for TWO FUCKING MINUTES (6.00-8.00)
So our problem is that we have an eight minute song with all parts being mediocre, save the intro riff and the lullaby part (which account for ~2 mins).
I think that riff is a very good one and suits very well to the album. It's not the main problem with this song. There are tons of awesome Opeth songs containing riffs worse than that riff in some place or another.
I hereby enlist the problems with this song, and you are obliged to agree:
1. The acoustic + clean vocals part ("I lost all I had..."): I think the acoustic part is flat out mediocre (means "horrible" for Opeth) and the vocal lines suck as well. It's just not good enough, plus it's slow which means you can't just ignore the melody and headbang anyway. Making a slow part requires that its melodies be awesome enough. This slow part just gets super boring and occupies the first 4 minutes of this song. 4 minutes means two Slayer songs
2. The Grand Conjuration revisited: That riff wasn't great in TGC in the first place and nobody needed to redo it again but they did anyway. The AAAH AAAH part isn't really great either.
3. Mediocre solo: In these forums Mike once said that the biggest challenge in Watershed was that "the solo of PH be desolate enough". Well, it does sound desolate but not good enough. I think it's a pretty standard Opeth song and without any other instrument behind (rhythms from either rhythm guitars or drums that you can follow) it becomes hard to follow it without getting bored.
4. The lullaby part: I think this part is very good, I might even call it great. Problem is that you have to endure the 5 minutes of mediocre stuff before it.
5. TGC riff again: It sucked in TGC, it sucked in PH's first part, it sucks in PH's second part. Whichever part uses this riff will always suck. And it just repeats for TWO FUCKING MINUTES (6.00-8.00)
So our problem is that we have an eight minute song with all parts being mediocre, save the intro riff and the lullaby part (which account for ~2 mins).