""Death metal," says the description here on Metal-Archives. Hogwash, says I. Really, what possesses everyone to call this album death metal? The fact that it was recorded in Sunlight, and that the band used to play gigs with DISMEMBER, NIHILIST, MORBID et al in the infamous Stockholm death metal scene in the beginning of the 90's? Ha.
This is black metal. I mean, if tiny hints such as the Satanic lyrical content, two inverted crosses, pentagram and wings in the logo, tremolo riffing, corpsepaint, spikes, blastbeats and songwriting focusing on atmosphere rather than brutality weren't enough for you, here it is again in capital letters: THIS IS A BLACK METAL ALBUM; early 90's black metal in the vein of early MAYHEM, and perhaps most obviously, SAMAEL.
Now, for some reason (perhaps the radical changes in style TIAMAT took with just about every album after this one) people don't talk about this album much when discussing black metal, when the fact is that in 1989, TREBLINKA (pre-TIAMAT -- they only changed name after this album was recorded) was together with GROTESQUE and BATHORY (who had already strayed from their black metal style at the time) pretty much the only purely black metal act in Sweden, and even so, GROTESQUE was musically much further from the second wave style of black metal, leaving TREBLINKA as one of the true innovators of the genre in Sweden.
Looking at the world at large, what other bands were around playing something resembling modern black metal in 1989? Now many! The aforementioned MAYHEM and SAMAEL of course, NECROMANTIA and VARATHRON perhaps, VADER's "Necrolust" demo is pretty close? DARKTHRONE was still a death metal band, EMPEROR members were probably about 13 years old and not even in THOU SHALT SUFFER yet, Mr. Vikernes was happily death metalling away in OLD FUNERAL most of the time... Yet almost everyone always forgets "Sumerian Cry"!"