Straight translate from babel fish:
Children OF Bodom are back! Three years after their last plate Blooddrunk have it with Relentless Reckless Forever a new album at the start - the 2009 published disk of Skeletons in The Closet contained excluding Coverversionen. And much did not change in principle; the fairings were with their mixture from thrashiger hardness, Keyboardgewaber, spectacular Soloduellen, salient Gitarrenleads and Alexi Laihos Gekrächze always very independent - plagiierte and meanwhile hundredfold (usually more badly than quite) - volume, which did not let itself really arrange in a category, however somehow also always ran thereby the risk to copy itself.
For this reason the album could be after a run even nearly already like that something like a disappointment, since one gets oneself thereby, as one determines, or other melody or or other reef to have heard. But completely honestly: That is somehow pardonable and with this kind of music was also not to be expected that the Bodomjungs would arrive with revolutionary innovations. And if one granted oneself to a few further rotations, one will state that the Songwriting is to be settled nevertheless used reliably in the green range, although the two are not reached again in the Diskographie outstanding albums Follow The Reaper and Hate crew Deathroll .
New it is primarily that one got oneself with matt Hyde a new - and quite considerable - producer in the boat, whereby the management is to have had its fingers in the play, because actually the Combo in this regard in the meantime finally enough experiences collected. Actually the plate sounds somewhat more transparent than the direct predecessor, transport however still the typical COB sound. The moreover one it is the first time in the career of the Finns that there is no song on a regular studio album, with whom the word Bodom in the title is verwurstet.
Otherwise the Quintett with emergency My Funeral submits a rather unusual Opener, since the song seems nevertheless first somewhat bulkily; altogether in the Midtempo held and also a few BREAK and Harmonieleads equipped, the TRACK emerges however also soon as really strong number and in the final result is also good it that those tries volume to arrange the Songwriting somewhat more fastidious.
Shovel Knockout however does not go forgetting fully on the twelve, it is properly geblastet and the double bass unpacked, however the melodische element. The Main reef and the guitar melodies sit down anyhow in the best way firmly and with the Soli act one marvelously playful and modulate class by the kinds of clay/tone. Altogether it is a correctly fat number, which guarantees its way on set cunning of the coming concerts will find.
In addition, a something similar might be valid for the following Roundtrip ton of bright , which are held again in the Midtempo: However the Intro is absolutely COB typically, however also absolute geil, and occasionally the likewise volume-typical Reingröler is used , so that one can see formally before the mental eye, how is roared with the Livegigs the fists to air to fly and Roundtrip .
All in all does the impression develop that one moves with Relentless Reckless Forever relatively frequently in middle speed regions, because also the strangely called Pussyfoot measure Suicide (according to Alexi it goes here around a girl, who threatens with suicide to thus give in order to attain attention - for the first time does it seem a text the not simply only complete imbecility is), the Titelsong and that already as single uncoupled which It Worth It? are settled in these speed ranges. That means that also again sow-strong Hooks and the used halsbrecherischen, technically towering above Soli of the guitar and key board parliamentary group would not be here to be heard, and with the likewise mad compositions Ugly and Cry OF The Nihilist (an homage at the cult strips The Big Lebowski ), as well as the Rausschmeißer Northpole Throwdown (also no bad title), which completely in the sense of briefly and knackig are held, the fan naturally also a few Uptempo Kracher around the Horchlappen are however not spun.
Nevertheless Alexi has all right with the statement that the disk became at the same time however more melodischer something reef reading tigers, as Blooddrunk . Succeeded it anyhow always, even if with 36 minutes turn out again rather briefly. But rather 36 qualitatively high-quality minutes than 70 qualitatively bad - and which concerns the songschreiberische quality, to the COB boss anyway none fools which. It may be as mentioned that much new is not to be heard here, but one must create it only once to write pieces those is not only simply in usual and fast to clean-run, but just as fast again raus, but as actual ear worms in the brain turns settle also correctly.