I don't get that vibe at all. But I suppose that's more of a subjective thing than anything else. To me the vocals on MAYH... or actually most elements of MAYH have wayyy too much reverb. Case in point: Mike's little thing at the end of 'When' you know the whole 'when can I take you from this place...' thing. The only reason taht seems to cut through the mix is because the damn verb is everywhere. It's all you can hear! Actually I think for that part they must've mixed in more verb than actual dry signal
Yep, they do, but that's not necessarily a bad thing. The vocals on Still Life are crunchier. There's a rawer upper midrange there and it really brings out that back-throat, gargling area of his voice. Helps the growls and all. Fantastic thing is that the clean vocals cut through perfectly during the heavier parts.
That's because there's actual midrange in the guitars now. All the guitar sounds they pulled prior to Still Life were quite harsh and dry. For Orchid and Morningrise that should go without saying. The guitar sounds are abysmal. For MAYH, they're just really raw and crunchy, which I find really odd considering it was a 5150 head they used. I've honestly never heard those things emit anything OTHER than midrange, until Opeth used em, haha!
I mean just compare the midrange graph of Twilight is my Robe to that of Moonlapse vertigo. The midrange for Orchid is all over the place, no doubt contributing to that harsh sound that makes your ears want to bleed. For SL there's a big peak around the 2.2k mark, but aside from that, it seems pretty smooth sailing. I mean it stands to reason, if you look at all the graphs, you see that Still Life has the most gradual curves, kind of coinciding with the fact that its the least harsh on the ears. It's smoother, not muddy.
Ah yes, bass.
Well if we're talking about albums where the bass guitar can't be heard, I think MAYH can take the cake. I think if we talk about albums where you don't WANT to hear the bass, Orchid and Morningrise take it.
But all things considered, is there anything worthwhile about hearing the bass guitar on Still Life? I don't really think it does that many things that are interesting. Face of Melinda probably has the biggest amount of non-standard bass, and for that track you can more or less hear it.