no country for old wainds
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- Nov 23, 2002
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yeah, you kind of have to start with gardens of the moon. it isn’t as good as its successors but it’s still good.
Bakker's series is excellent, but a slog. It's also very self-congratulatory at times. He's a philosophy PhD (or nearly, can't recall if he finished), so... yeah.
yeah, it's an incredibly original series conceptually and tonally though, i suppose a bit of pretentiousness comes with the territory. erikson also philosophises pretty hard particularly from midnight tides onwards, but his worldview really speaks to me, whereas bakker is rather perverse and alienating by comparison, which i don't mean as an insult at all but it can be more difficult to read at times. that said, so much of it is absolutely seared into my head in a similar way to something like blood meridian, and some of those characters are absolutely singular.
i'm sure i've asked this before but where did you get up to with erikson in the end ein?
I started reading The Wasp Factory by Iain Banks. It's so fucked already, some of the funniest moments I've ever read in a novel.
Head Full of Ghosts looks interesting. Adding it to my list.Just finished Paul Tremblay's The Cabin at the End of the World--gut-wrenching home invasion thriller that borders on horror but doesn't quite get there (or maybe it does...?).
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Didn't enjoy this one as much as Head Full of Ghosts, but it was still a page-turner. Thinking about getting either Tremblay's most recent, Survivor Song, next, or his 2016 book Disappearance at Devil's Rock. Really like his writing style, he makes something mildly fun out of sheer horror (although Cabin was pretty heart-breaking).
So I finished the collection of Djinn and La Maison de rendez-vous last week. La Maison is what anyone familiar with his style should come to expect and serves as a pretty fascinating precursor to his film The Blue Villa (1995) which really needs to be rescued from obscurity. Djinn was shockingly accessible. I figured it'd be one of his most dense and difficult given the whole textbook trickery but it's honestly where I'd tell newcomers to start with ARG. The sense of dislocation and narrative shifts are still there but it feels like he's holding your hand a bit along the way (there's a pun in that sentence you'll pick upon after reading). The actual grammar exercises he intended to teach with it don't become all that noticeable until later in the book in the form of repeated words and phrases and even that he does regularly in other novels.I really want to read Djinn at some point, haven't gotten my hands on a copy yet.