This is such a touchy issue.
I know that most of you feel like you're being denied something that was previously given to you, but it's not like you ever absolutely had a right to bring digital cameras into the venue. It was a privilege. There's a difference. This is kind of like the smoking bans in concert venues in New York. If you lived in New York and there was a band that you really wanted to see, but you can no longer smoke in the venue in which that band is performing, would you still go? I would hope so, as I'd like to think that you would still want to support your favorite bands despite the lack of what was a privilege. I also feel the need to respond to Barking Pumpkin again, as I wonder about this guy sometimes. Pumpkin, if you have such a big problem with the way the festival is handled (i.e., not enough ridiculously obscure avant-garde bands on the bill, no use of digital cameras), I highly suggest you put your money where your mouth is. In fact, don't even put over $100,000 into a whole festival. Just book one band for one show. Try booking Ulver in your hometown for a one-night only, "evening with" sort of show, and come back to tell us how little frustration you had with the affair. I think it's a fair assumption that Glenn enjoys what he does. The positives definitely outweigh the negatives for him. However, this is a business venture for him. If you want your business to keep going, you need to be financially successful with it. That's not going to happen unless you find the right compromise between all of the stakeholders in that business (in this case, the promoter, the bands, the staff, the labels, the sponsors, and the fans). Personally, I won't have any major complaints with this festival until I can start up a better one. Seeing as how that's not happening anytime soon, Glenn won't be hearing any f-bombs from me.