To save Ceydn the trouble: St Anger

Also, I agree with ceydn about the mp3 thing, the production while listening to the cd is sooooo much better than the mp3s I have heard make it out to be. At first, when I first put Frantic on, I thought it sounded a little off, but now I am used to it and have listened properly I like it more. Still not the best production, but it sounds good. Some of these songs will be killer live!
 
I hope we have this many Maiden threads and posts when the new album comes out!

I agree, the black album is the third worst they've done. :)
 
Black album rules! :D

its 5th best after all the 80s albums of course :D

Im not buying all this production stuff....the mp3s I have heard are from the album and they still sound shite and people I know who have the album say the mp3s are basically the same as album.

Damn it! Am I the only one here who thinks the new metallica is shite? COME ON PEOPLE!!!! Whats going on!!!??? :)
 
Well its heavy...its tasty...and its excellent mate..The sound on the DVD is a bit better...and that has no production to speak of :lol:...but its all juicy and good IMO mate, get a listen or 2 to the album not MP3's and ya might change ya perspective a bit
 
I wrote this elsewhere, but hell I'll post it here. It seems many of you disagree with me. And I have a fairly weird style to write in.
Warning: This seems to be a really long review.

Metallica, where do we start? Their last studio release (their 7th) was ReLoad which was written 1996-1997. So another 6 years have passed since they’ve actually written a whole record. Would this be like Motley Crue after Feelgood? If the two unreleased tracks on S& M (1999) were anything to go by (No Leaf Clover & Human) this record would sit somewhere between ReLoad and Puppets (Reload being their better album from the later days and Puppets being [arguably] their strongest from the earliest.) A mix of both eras. However things didn’t sit like that. The band went through a few different stages to get to where they are today.

Metallica (more Lars) attacked the filesharing public which on top of the already growing anti-Metallica fan base just added to their detractors. However as we all know filesharing is alive and well and will be as popular at bootlegging if not more. It cannot be killed.

Jason Newsted, Metallica’s bassist for 11 years, left wanting to do his own projects such as Echobrain and eventually joined Volvoid a band he’d idolised for what seemed like forever. He clashed with James’ rule that Side projects take away from the main band. Jason felt that James had broken his own rules and become hypocritical in appearing on Corrosion Of Conformity’s Wiseblood album (1996).

So Metallica were a Trio, again with the need to replace their bass player for the 3rd time.

Metallica stopped for a bit, each member went their different ways. James went to Serbia to go hunting and for reasons unknown eventually started drinking heavily again. He was submitted into rehab and this obviously affected the new album (James is the band’s predominat lyricist).

In the years 99-01 Metallica thought they were dead, Lars was quoted as saying ‘with Jason leavin and James’ alcohol addiction I though there was no more Metallica’.

The industry moved again from where Metallica had last recorded. As much as Metallica claimed “Mainstream came to us”, which is true. They also moved with the industry as it explored new levels. Mainstream hit thrash around 1988 to 1993 and their self titled release helped thrust them to new heights. But things changed by the mid 90’s. Alternative hit mainstream, and Metallica did something different in letting Kirk’s liking for blues keep them at the top. But again in the new millennia Alternative had faded away to an extent, the down tuned, downplayed guitars of ‘nu-metal’ had become prevalient. The underground was also speaking such words like Opeth, Meshuggah, Iced Earth. Metallica had dug themselves a hole. Still wanting to retain their supposed crown as ‘best (mainstream) metal band’ they now had different contenders such as Slipknot, Linkin Park and the now Soloist Rob Zombie. Metallica had to do something different. A step backwards while still going forward. They knew they would sell over 5 million records no matter what was on the album. It was the recording which would propel them into legendary heights.

The contemporaries of Metallica were all in different places. The big four thrash bands (Metallica, Anthrax, Megadeth, Slayer and to a lesser extent Testament) had all been to different places. Anthrax had major label troubles and was basically playing the same stuff as they had been in 1993, just heavier and more straight. A more Rock Metal sound. Megadeth had tried to explore commercial ventures with Cryptic Writings in 1997 and had failed with Risk in 1999. They had made steps back to where their roots lay in The World Needs A Hero (2001) but they retired. Slayer had differed slightly from those bands. Slayer had moved more towards nu-metal bands like Slipknot while trying to stay thrash. They had mixed results and the fans were divided.

So Metallica basically decided to try and incorporate elements of what was hot by the ‘true metal fans’ at the moment (as I said before Meshuggah etc), and something, which would still ring with the marketplace.

So this brings us to the new album. St Anger.



Metallica – St Anger (2003)

B00008OWZG.01.LZZZZZZZ.jpg


1. Frantic (5:50)
2. St. Anger (7:21)
3. Some Kind Of Monster (8:25)
4. Dirty Window (5:24)
5. Invisible Kid (8:30)
6. My World (5:45)
7. Shoot Me Again (7:10)
8. Sweet Amber (5:27)
9. Unnamed Feeling (7:09)
10. Purify (5:13)
11. All Within My Hands (8:47)
TOTAL TIME: 75:01​


I guess I’ll run this this a few ways. Both Song by song and The album as a whole as well as general things.



Production

Production always plays a big part in any album. But for this one, is detracts from the album in a big way. Metallica got for a lack of production because lack of production = not commercial. Even if the songs yell $$$.

Obvious someone had gotten into Rock’s ear, or James/Lars ear and said something that raw equals lack of. It doesn’t. Raw isn’t a lack of production. It’s minimal production. There is way to much reverb on this album, it’s very hazy because of this and nothing is clean, again a production fault. The bottom end floods over what top end there actually is which almost removes all melody from the album. Melody is one thing which makes Thrash metal, it’s heavy while still remaining catchy.

Whoever miked the drum kit in the studio needs to be fired and never hired by anyone again. Whichever assistant did that shouldn’t have a job. There is a constant echo from the cymbal through the mic for the toms. It clearly comes through and detracts from the listening experience. The drums are loose as hell. The snare needs to be tightened A LOT as does the highhat cymbal. It just echoes forever.

The mix of the bass is almost non-existent, like …And Justice For All, the first album by the new member (Even if Rob didn’t play on this album, Bob Rock did, Rob still was listed in the credits of the album: why? I’ll never know), the bass is hidden by the guitars. Almost the only clear bass sound is the intro for St Anger.

The guitars have obviously been down tuned and downplayed. A lot like a nu-metal guitar. It’s not a good thing. There are bad screeches in the album but they’re not consistant and very high at all.

The vocals, well leave a lot to be desired. While I don’t mind the singing style on both Load and Reload, his vocals aren’t bad. But now James just sounds blown out. Probably the addiction did a bit to his vocal chords. He can no longer sing with the Load melody or the raw teenage voice he had in the earlier years. It’s disappointing. There are some moments on the disc like invisible Kid where you feel he almost has what he had during Load/ReLoad but it just doesn’t hold, it breaks.
 
[color=#AOEOOA]The Songs Individually




1. Frantic (5:50)

Everyone who’s at least bothered to look into the leaked Samples has heard the first 2 minutes of this song. While the intro is almost reversed from the Anthrax intro from What Doesn’t Die (The drumming from Lars is played by his hands, and Charlie plays with his feet: Lars shows a lack of double bass drumming which he’s definitely not known for), with the more abrasive sound as well as the bad production the intro is immediately felt as a sub par What Doesn’t Die.

The movement of the song is continous and isn’t that bad. It moves fine. The bass is distinctive for once. If the mix was better it wouldn’t be bad. Kirk even tries to add some lighter guitar about halfway through the song. I guess this is what we call the lighter part of the song (“keep searchin’”). The lyrics for the chorus. Tick, tick tock. Is just well wrong. The bass sounds hollow with the drums, not quite right, It seems to get a pitch higher towards the end of the song.

Obviously with the line ‘my life style determines my death style’ is trying to be heavier than the rest of the song, but with the mix of guitars and bass it just doesn’t work. James sounds heavier than the guitars which isn’t right.

The distortion around the 4 min mark just gets worse (if that’s possible), it rides out the end of the song. As if it’s stopping. It’s here where I’ve just realised the music isn’t recorded in levels, it’s flat, usually you feel as if some instruments are closer than others making them louder and if a band like Dream Theater wishes they bring one to the front it they will, it feels layered, if you listen for something else you can hear it. But with this you try to hear the distinctive instruments you cant.

The song seems to finish around 5:15 but goes for another 30 seconds. Un-necessary filler. It just doesn’t add anything but makes the album drag out to 75 minutes.




2. St. Anger (7:21)

St Anger, the song I’m sure if you’ve heard something it’s this. It has a laughable video, but an alright bass intro. However the drums just kick in and make you go ughhhhh. Hell I can hear it before it happens. The first 30 seconds are a wipeout because of the drums. And then the cymbal problem comes in.

And Lars tries to be fast with the drums. Distortion heaven. You can just feel it.

Then we get a lesson in nu-metal 101. And what do you do when you’ve played as hard and as fast as you can go? That’s right. You switch back to soft. With some vocals which sound like they should be recorded again. And the lyrics are laughable. Seriously. St Anger round my neck he never gets respect? It’s a useless lyric. Followed up by the ‘fuck it up and no regrets, I hit the lights on these dark sets….’, well wow, I’m inspired. You want to know what the worse thing is?

You’ll hear it another 3 times before the song finishes.

And we’re back to the start. First 30 seconds repeated then the distortion part. YAY. Back to soft. It’s déjà vu all over again. Oh fun. Identical lyrics. Identical guitars, identical drumming. If I didn’t know I’d think they just looped the beginning.

Complete filler. Notice how I’m just writing as it happens. I could say anything because I described this before. Wait lets see.

Then we get a lesson in nu-metal 101. And what do you do when you’ve played as hard and as fast as you can go? That’s right. You switch back to soft. With some vocals which sound like they should be recorded again. And the lyrics are laughable. Seriously. St Anger round my neck he never gets respect? It’s a useless lyric. Followed up by the ‘fuck it up and no regrets, I hit the lights on these dark sets….’, well wow, I’m inspired. You want to know what the worse thing is?

You’ll hear it another 2 times before the song finishes.

Yep the same. And rob comes back in. And there’s the 30 second intro again. Good old predictable Lars. And now the Jam session. Luckily for us we don’t have the hear that unbearable soft part again. It almost seems cleaner this time.

James almost sounds like he wants to sing this song. But just before he ssays ‘I need to set my anger free… SET IT FREE, you could easily cut 2 bars out of the music. There’s 10 seconds gone.

And back to the chorus. So have got the formula yet?

I’m expecting a nice bass intro again. At least there’s a bridge in this song. That speaks more than the nu-metal kids. Diamond Head taught them well. They can at least follow a conventional structure when they’re write a normal song. Cept without solos they’re a tad lost.

And what do you know Rob closes with his bass. I picked it I’m a genius.

Well I can give this song one thing. It doesn’t feel like seven minutes.




3. Some Kind Of Monster (8:25)

Initially the intro, up to about 25sec, you’d immediately think of Kyuss with the down tuned bass/guitars and the plodding along. Hell its kept up for awhile. It the drums were decent and flowed ‘properly’ it would be Kyuss. I prefer Kyuss, I’ll listen to that after.

The drums lead in nicely this time after the intro. Nice I don’t mind it so far. It’s well written. A bit of reverb which helps. Yep this is Kyuss, right out the Holme textbook. But the tempo slightly changes 70 seconds in. A tad fast.

Did Josh actually play on this record? No I doubt it, he has decency (some at least). If the snare was tuned properly, and kept IN TIME! This would be a good song. Should be nice live.

Quick short lyrics. Catchyish. Nice. Follows a nice structure. Hard on 2 and 4, softer on 1 and 3. Basic 4/4 timing. Another quick burst of lyrics. Verse 2 I guess. Oh a bridge. Nice. Looking like a good track with bad production.

The chorus could be nicer, The same lyric four times over (name of the track) then ‘the monster lives’. Hmm 8 minutes. 4 have passed already. It’s alright.

Quickly into another verse. And we’re getting some distinctive sound from Kirk, and another quick verse. 4 So far. Can’t remember if the first 2 are the same as the 2nd two. Wouldn’t surprise me. If you’re going to write that much lyrics. At least make them different. And a chorus intro like before.

You could feel it coming. The music is alright. It’s almost fitting. Almost. Just the cymbal is out of tune. See this is where a nice solo would have gone. But it’s not there. We get the riff played a few times for us. How lucky are we(!). And it differs slightly, while we had the quick down lyrics now we’re treated with upwards lyrics it’s a feeling, the way they’re sang. I make sense damnit. And background vocals. Kept repeating, something like ‘Homme is like us’. No I’m just taking the piss.

And another weird guitar outro.

It differs. Hell this song will get another listen. As it should. Best song on the album still far. Riddled with faults but good




4. Dirty Window (5:24)

Quick short drumming bursts. Then the drums sit for 2 bars and the guitar kicks in. It’s alright. And again the cymbal rings. And whistles constantly. It’s slightly annoying by now.

Goo first verse then a chorus intro. It feels like one at least. The tempo rings quick then it’ll be slowed down.

And the chorus. Another soft Chorus like St Anger. Cept it gets heavy halfway through. It’s bearable. The album by now seems to be warming up. Getting better as we hit the middle.

I guess this is also being played by the theory that if you hear it enough you’ll like it. It works for MTV so it should work for Metallica. Cept this song has too many choruses. Verse. Intro, Chorus. Verse. Intro Chorus. It’s become predictable. After the 2nd chorus you can feel an extended riff. Plus the short chorus’ in this song. You sense this song is shorter than the last. There are deliberate bad notes hit by the guitars. It gives a sense of familiarity. I don’t know why, that’s just how I feel. Hell the chorus is out of tune.

The lyrics are out of tune. This is almost The song which personifies St Anger. It’s got everything which is wrong with the album but it’s alright. I think this is what they were aiming for. But missed it a few times.




5. Invisible Kid (8:30)

A nice riff intro with guitars, a first so far on this album. Better intro, but still the drums are about .2 behind the guitars. I guess this is the meshuggah edge they were talking about. Meh, that is NOT meshuggah. The guitar riff individually around 40 seconds by itself is fine.

Another problem with this song is the opening verse. Or is it the chorus? It feels like a chorus. But choruses aren’t meant to be played this early. An 8 minute song will be wasted. At least it follows a line of talking. Cept ‘fallin down the side of his crib’? That’s just stupid. The melodic vocals are drowned out by the guitar. It’s bad. Just distinguishable from the noise. Obviously about some kid, who feels lonely and wants to feel loved by someone, probably his mother (chorus). And yes I was right, it was the chorus. Plus why would a kid who has emotions (babies have emotions, its just they don’t express em) be in a crib? Would it because a crib rhymes with a lot of things? I think so. Obviously James wrote this during the height of his addiction. He is the kid (I think) and feels lonely, he’s deserted, he feels like a child, locked, people are unable to relate, to get to him. It could be about being popular I guess.

5 min in and it’s pretty repetitive. Needs to do something down. The song slows down and we hit a second chorus. Now from a different presentative. Talking about the kid.
And that minute was the slow minute. Speeds up again. And a predictable chorus thrown in. It leads up towards it, after a piece which is way too extended. Another 30 seconds cut would be good.

Now the kid doesn’t want another one to touch him. But he wants to feel loved. Is this a tear at the teen market? Kids unable to relate? The common teenager feelings. Hmm almost John Davies lyrics. That’s not good. For anyone which cares. Yes it’s a mainstream song. I wouldn’t be surprised if this becomes a 2nd, 3rd single. Frantic will be a single. It’s already on their setlist. This would be the third, a pull at a younger generation. Sell more back catalogue. Great idea.

And the song just ends. It doesn’t really end, it just ceases to exist. It doesn’t go anywhere. Nothing is solved. So many 13-16yr olds will relate to that song. There I’ve said it.




6. My World (5:45)

This song is just out of whack. A song which you’ll like after awhile. The chugging riff, definitely taken from the alternative stoner section. And again the drums are tuned worse, it’s like hitting a can. Hollow, you can hear the ring of the snare. Snares aren’t meant to ring.

It’s jerky. And the opening lyrics seem to be the title repeated 4 – 7 times. We’ve hit the teenage angst section of the album I’d say. Which is weird. This album is angry, but it’s not angry music. It’s more bitchy lyrics. Nu-metal-ish. Complaining. The world is theirs and you can’t have it. It’s tempting to turn it off now, or at least skip it but I know if I keep writing it’ll go faster. I think that’s why the songs doesn’t seem as long as they are. Cos I’m writing.

I despise this song, and the last. Cept the last song was redeemed by the softer bit. This song is repeatative and the instruments are out of sync. The whispering around 3 minutes is annoying. It’s almost taunting the listener. Turn it off, go on I dare ya. This song does drag.

Worst Song on the album so far. The riff intro is good. But as with the muppets nothing finishes. At least in the muppets you could blow something up or add penguins. That was cool. We can’t blow this up. Delete this track and put it as a b-side on a single. There’s 5 minutes from the album cut.

I can’t say much because it’s damn annoying. You can’t polish a turd and in this case with no production you can’t do anything.

Glad it’s over. In My World by Anthrax on Persistance of Time is a much better song.[/color]
 
[color=#AoEOOa]7. Shoot Me Again (7:10)

Distortion guitars at the beginning. Kirk is actually able to be heard in a song for once. Someone synthed the guitars. In Metallica that shouldn’t happen. It’s ugly in the unproduced environment. The guitars if were thick would sound decent.

James has a hiss about his voice here. The drums overpower anything else when there are no vox, but they go softer when the vocals hit. There is a main problem when James says (not sings) ‘shot me again I ain’t dead yet’ it’s almost in the same frequency as the drums, if the lyrics weren’t so pointless and childish you’ struggle to understand.

And yes he whistles as he sings. As does the cymbals (but I’ve stopped complaing about that). The background vocals are less. There is some, but they’re not as prevalient as the earlier songs.

Another song that is dragging. Also this song can’t be done live. James sings over the top of himself, impossible to reproduce live without overdubs. I’m glad. If I go see them I won’t have to listen to this.

It’s as if the middle of the disc is angry, but it’s half hearted, it just feels that way. And it’s obvious. Another song which doesn’t deserve to be on the album. It’s terrible. Very. Lars is drumming out of time (his speciality).

Again as with the last, not much I can say. Except this song is annoying since because it’s 7 minutes instead of 5.




8. Sweet Amber (5:27)

A slow Kyuss-ish intro. Seriously you want something Similar get Blues for the Red Sun. The guitar kicks in with a faster riff, it just doesn’t fit with the intro. 40 seconds in it just goes bad. Very, things are just thrown together, Lars bashes away, Kirk keeps the same riff. They’ve done well to change the flow 65 seconds in to fit the first verse. Well fitted together by Rock (that’s one).

Obviously a love-ish song. If Metallica ever wrote a love song this would be it. Except it’s got a cheating theme running through it. There is no lead guitar. There is a single guitar but it doesn’t play like a lead. Two rhythm guitars just isn’t right.

Whiskey in the Jar is a better song, even being a cover, Metallica could have put that on, it’s similar but different but still a superior song. The lyrics are pathetic “My sweet Amber… how sweet are you? How sweet does it get?”, it’s pathetic song writing. I expect better from veterans like these.

I don’t know why but the album has turned to shit. The last 3 tracks may pull it back out. The middle of the album is a waste. Should be removed. I want it to get better. I can only hope.

There always seems to be an overplayed bit at the end of each song. Remove the last 20 seconds from each song. It needs to be done.




9. Unnamed Feeling (7:09)

Stars off damn slow, very slow, you’re wishing it sped up. What happened to fast clean Metallica? Where did they go? The riff is too distorted to be any good, and the song reminds me of something I’ve heard before, a bad SOAD riff almost? Whatever their slow song was. Aerials or something. Like that but bad, yes bad, worse. Even if I never liked the song in the first place.

Tell me it doesn’t ring so close? Except the lyrics are dark, the vocals are different. It’s still similar. If we have a ‘cheery’, cheery compared to the rest of the song, it is Aerials.

Well I guessed it. It’s there. Its too obvious. The album is predictable. And pretty repetitive. Another song which is alright. This song is average. It’s not as bad as the last few. The song is slow, and sad. Hell not even Low Man’s Lyric is slow, it’s bearable and sad. This is just an annoying song. It’s out of sync. Low Man’s Lyric at least had that nice little chorus which was good. This is just sad. It’s like a chick flick. Damn annoying, get rid of it. If I wanted to listen to something like this I would listen to Aerials. Plus swearing in sad songs isn’t good. It’s a grab at coolness. You cannot swear in a sad song. Fuck isn’t an emotional term, it’s a degrading one, or a slang one. It detracts from the song more.

I’m starting to get bored. It follows a similar pattern. Pretty annoying, close with the chorus and then a bit of guitar or bass afterwards by itself. But this song will close with a vocal since it’s a soft song.




10. Purify (5:13)

Distortion again, at the beginning. Weak drums. At least you can find a distinctive beat, until they start jerking around at 30seconds in. It was good until then. And its jerky. Bad. Do they think just playing 4/4 but in different beats is different? How? It’s not. It’s an insult to ones intelligence. It’s trying to be something they can’t play. Just moving from 2-4 to 1-3, annoying. There are some bands who can do such things like change the main beat but Metallica can’t.

The chorus like most on this album consists of the song title being sung or chanted or whatever.

Verse, chorus, guitar, verse chorus, longer guitar. It’s almost a science. Not a good science. And again we hit the distorted guitar. The lyrics are pointless. Purify is basically a buzzword, and ‘dancing with your skeletons’ has nothing to do with purifying yourself. It’s useless. More filler. There is a fair bit on this album.

And another chorus. It’s almost as if they want me to not listen to the last track. This album starts to drag after awhile. Hell listen to the first few tracks and the last few are not good. They’re darker, and more distorted and pointless. Have you noticed that? I think you should have by now.

Extended riff. And I didn’t like the riff. And they’re playing out to the end. Also I just noticed there have been no faded out tracks. What’s wrong with faded out tracks. They’re good. It makes you feel like you want more. But none here.




11. All Within My Hands (8:47)

And we hit the last track on the album, almost done. Starts with some weird guitar song, don’t like it. Ringing cymbal more than usual. Lars is trying to remind me he still plays. I can’t forget. The black album was clean, this was not. However both album fall to pieces around the end.

It seems more like A justice song, as in the fact there’s no lyrics for awhile. A minute. You want lyrics. But they’re not there. I don’t usually want lyrics to appear. Dream Theater/Symphony X can leave me without lyrics for about 4 minutes, but the music is so good you don’t notice. With Metallica’s album here you want lyrics because the music is bad, because then you have something else to focus on.

However nothing is better here. With this song they almost have tickets on themselves. It doesn’t sit well. It’s silly. Petty shit. The songs are without a point. Where did the message from And Justice For All, Eye Of The Beholder, Master Of Puppets, Disposable Heroes go? Where is a point? When Metallica find it, I’ll call you.

It’s a pretty silly song, its trying to be a few things. Progressive, which it isn’t. You can’t really play Progressive Metal without a solounless you’re (early) Queensryche. At least with this song I know when it finishes the album finishes. That makes me happy. I like it about as much as Dyers Eve or Damage INC. Damage wasn’t a bad song, it just was in a bad position on the album. Dyers Eve is just bad.

I’m expecting the guitars to play out the end without lyrics as if it’s a fitting end for the album. It would be of an album this size. But we’ll probably end up with Chorus chanting and left wondering Why? Why release something like that? A mix of genre’s. Something which tries to be a few things, but ends up as nothing.

Metallica have a knack for making the last track for for longer than it should. And this is no different. It should be another 5 minute song. But they add another 3 choruses to the end, a riff overplayed a few times and they tack on another 4 minutes.


Also they seem to have a knack for stupid lyrics which don’t fit. KILL KILL KILL KILL, in the later stages of the song adds nothing to the song, it’s a wishwash of crap. Place everything in a blender and hope it makes sense. That’s the feeling from this song. It doesn’t work as a song.

And I picked it, the chanting, and the guitar slowly playing out. It’s predictable.




The Album as a whole

Well where do I begin? The opening tracks aren’t bad considering what we’re forced to listen to at the end. The songs don’t flow into each other. They’re very distorted. And the best songs on the album would have to be St. Anger, Some Kind Of Monster and Dirty Window. And with most people already hearing St Anger they know much of what the album is. Except St Anger doesn’t feature the stoner bits which also make up the album

With no new ground treded on this album, you wonder what all the hype is. I’s nothing special. If you want similar albums by other artists I could name a few.

Kyuss – Blues For The Red Sun
Anthrax – We’ve Come For You All
Korn - Issues

There is nothing special about this album. It’s good, it has some good things, but 75 minutes? Hell I could cut out about 30 minutes from the album easily. And you wouldn’t notice much difference. They’re trying to overextend themselves. Trying to be progressive, abrasive and also capture a youth audience. But while doing such things they’re insulting the fans they’ve had for ages. Invisible Kid, and especially My World, Shoot Me & Sweet Amber are aimed directly at the youth market. These songs are horrible for the mature listener.

The distortion on the record is horrible. If it was clean then the review would be entirely different. There are probably elements hidden in the record which are impossible to decypher behind all the noise. But they’re useless to us.

The album feels rushed. I know it was recorded for over a year, and the band had problems but someone should have told them it sounded crap. I guess the one redeeming feature of the album is that it was released with a DVD, one thing Metallica can do, since they know they’ll get it back in automatic sales. A slightly less profit for Electra but they’ll still make a tidy profit. Metallica will take their 8% cut from the record and do fine. They’ll be encouraged by the set they’re now playing but this has nothing to do with the recording itself. It’s just well… bad.




Ratings:
May 1st: The hype is there, I haven’t heard anything off the album but seems everyone who has heard the album thinks its decent 8/10
May 30th: I’ve heard a fair few clips off the album as well as seen the video for the title track. Nothing special. The mix is bad. If the whole album is like this, it’ll be bad. 2/10 (and I’m being fairly generous).
June 12th: I’ve had the album for a day. Heard it about 3 or 4 times. So I wrote the above review and I’d have to give it about a 3/10 purely for one or two tracks. St Anger actually feels in place in this album. It’s one of the better tracks. However on a compilation album it’d feel horribly bad. Lets just hope nothing on this album ever goes on a compilation.

Frantic[/color] ***
[color=#AOEOOA]St. Anger[/color] ***
[color=#AOEOOA]Some Kind Of Monster[/color] ****
[color=#AOEOOA]Dirty Window[/color] ***1/2
[color=#AOEOOA]Invisible Kid[/color] ***
[color=#AOEOOA]My World[/color] *1/2
[color=#AOEOOA]Shoot Me Again[/color]**
[color=#AOEOOA]Sweet Amber[/color] *
[color=#AOEOOA]Unnamed Feeling[/color] *
[color=#AOEOOA]Purify[/color] *1/2
[color=#AOEOOA]All Within My Hands[/color] 1/2
 
hahahaha, he said Dyers Eve was shit.

Oh well, he's entitled to his opinion, I beg to differ with him entirely of course ;)
 
[color=#AOEOOA]Yeah Dyers eve doesn't sit well with me. It just feels tacked on, especially after To Live Is To Die. The later half of Justice just doesn't do much for me.[/color]
 
[color=#AOEOOA]Yeah as I said most of you disagree, but its just how I feel after listening to the album a few times.

It's just my opinion but hey in this case opinions are like arseholes and mine's bigger than yours. Well you can see more of mine :D[/color]