thisisaformicatable
New Metal Member
- Mar 30, 2007
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Relatively, it's much more polished and melodic than the music I tend to enjoy, especially as extreme metal goes. Incidental Darkthrone comment related to the topic:Frost Like Ashes polished and melodic? It's certainly not Darkthrone, but it ain't no Bal Sagoth.
What the fuck is UNBLACK? Must be some posers with too much time on their hands. Would YOU mix Christianity with metal? Or sing about the ice cream truck? Probably not, because it's NOT RIGHT. What if Elvis only sang about fishnets? It would be funny - but NOT RIGHT. You don't have to be an angel to know right from wrong, hehe
- Fenriz, 2004
Such an explanation seems to suggest an incidental connection, that perhaps the imagery is neutral so for unblack bands to appropriate it is perfectly natural. The paint supposedly has roots in Norse (read: pagan) folklore, which at least should raise an eyebrow. I guess this is the same context issue discussed previously regarding sounds; there's nothing inherently "evil" about black clothes and corpsepaint and bullet belts and weapons, but this imagery has been given strong symbolic meaning by black metal bands, and unblack bands know this. This is why the relationship between the two genres seems to require either the disrespect or contempt of black metal - unblack metal bands dress as they do for the sake of a miscomprehended tradition, looking cool, or as parody.What do devil worshippers dress like? I thought the corpse paint was somehow representative of the black plague or something. Death. Death is a topic that Christians deal with, and have since the beginning. I think Christians have had more personal experience with death over the ages than a few heavy metal fans that dress up all scary and sing about it.
I've given Tophet a preliminary look, I'll share some thoughts that are subject to a better understanding of the piece. Musically I see nothing wrong, nor do I see anything that personally interests me. I don't listen to this type of black metal enough to say anything about it other than that it seems competent without being anything groundbreaking, how it stacks up against similar artists in this sense I couldn't say. The tone is extremely aggressive and violent, needless to say, and the message matches, at least on the surface. This record doesn't seem to try to convince me to love Jesus, but takes more of a fire and brimstone approach - God is going to kick my ass, and Frost Like Ashes can't wait to help him. I can see a potential reason this band hasn't/won't catch on in the black metal scene, namely because their music is an attack against the scene and those in it; the band laughs as the followers of Satanism and Paganism are destroyed in a gory fashion by a vengeful Christian God. So it comes across less as evangelism (although a preachy tone is not absent) or a cautionary tale but as a near-masturbatory glorification of the vengeance that shall be wrought against us blaspheming black metal fans. Lots of images of the final battle between good and evil, lots of detailed accounts of the fate of the sinners. This is unblack metal of the repent-or-die variety. The slaughter-oriented portrayal of Christianity is sure to be uncomfortable for believers and non-believers alike, and makes the use of black metal imagery all the more puzzling.
It all comes across as an exercise in poetic irony: using the enemy's weapons against him for enhanced effect. I don't know if this is the intention, the band seems to use the separation of art and craft approach, dividing music from message in a way that they believe allows them to respect the artists they are envisioning in hell. It's a contradiction of much greater immediacy and interest than the often discussed one of NSBM's roots in music developed by African Americans.
I'd assume to a Christian this music has the potential to be powerful, but it's not hard to see why this band wouldn't find acceptance on that side of the scene either. Why does a band make a conscious effort to associate themselves so closely (in music and image) with a scene that they are philosophically so vehemently opposed to? Until this question is answered, this band and those like them limit their fan base to those who give as little thought to it as they appear to. These are skilled artists with interesting ideas who appear confined by their musical tastes.
I'd like to hear an artist on the other side of the spectrum, a more nonviolent take on unblack metal (perhaps taking a musical approach similar in tone to Burzum's more contemplative works, for example). Anything like this exist? Metal-archives only lists sixty-some artists in this genre so I'm not sure how far the diversity and depth of it reaches...