No, I still have not made that garb yet. I haven't made it to the fabric store yet haha. Well, I did go to one, but it did not have what I wanted. I was also looking at a Finnish style dress from around the same period, so I might use that instead since I am going for an Eastern Viking look anyway. I am still looking for Rus Viking style garb, but only came across men's garb. Although I liked that patern for the apron from the historiska museet, it has less gores in it
...so I will stick to that probably. Should I send a PM with my contact info?
Yeah, cuz I don't remember what all you needed...
I don't do a lot of fancy things on my garb. The under dress is pretty much just a wide T-tunic. I'm stick thin anyhow, so I don't need a lot of extra width on the bottom on the under dress. On the apron dress, I usually base the pattern on the width of the top of the apron, sort of. The front part of the apron, for example, is usually two pieces of 3" wide pabric, then one piece of whatever is left of my own width, appx 11". The back then is 11", also. The pieces then stay that width until you hit the hip bone, maybe 6" or so (keep in mind that I am in metric, so I am winging it with that figure...). At that point, I gradually make the pattern wider, so that the piece is as wide as the width of the fabric will allow when I get to the bottom of the piece. That way you end up with a dress that is shaped like a syphen (how the hell do you spell that in English, then?!!).
The thing is, that I don't think they used patterns like we do. You pretty much have to go by the shape of your own body. I am shaped so that my hips are not too much wider than my bust. If you have hips that come out really wide really fast, then you have to "taper" the pieces much faster than I do, maybe even add another gore, in that spot. This all comes with trial and error, and really, the best way to get the ultimate pattern is to make up a mock and then keep the pieces for patterns.
Bates, IMO that's one of those where it depends on what you're making. Generally, the over all god would be Odin, since he is in charge of the mead of inspiration. You may want to consider the alfar, though, since you're doing blacksmithing and all. That is all providing it's to do with metalworking. It's different if you're looking to do some weaving or sewing or whatever...
I've found a new project for you, which you must complete for your wife. I just pulled off a coup and picked up and infinitely large number of hand made coloured glass beads for all of 6 bucks. I re-strung all my old beads while I was stringing the new ones. "Bead spacers" are period, so I picked some of those up,too, because my damn strands keep coming off the brooches. Man, did that ever make a difference! Looks way better and it is so much nicer to wear!!! IMHO, you should make her some of those, Bates. I don't mean bead spacers, like what you get at the craft store (those are things that go between your good beads, sort of), but I don't know what the correct English word is (and the lady at the bead store called them bead spacers on the receipt today) but I mean the Sweidh version, like this: These things consist of a bar with four or five or however many loops running along one length of the bar, and on the opposite side is one loop only. The one loop attaches to your brooches, and the four loops have your strands of beads attached to them. Each strand of beads have one spacer at each end. So, instead of attaching five or so strands of beads to your brooch pin, all you have to attach to it is one damn loop-thingy. If something falls off, you only have to unhook that one loop, and it also prevents the beads from tangling.
The ON ladies used to have many strands on their spacers, I've seen more than eight. I can only get spacers with five loops, so I made up four strands, and left one for the next time I find some other awesome beads (or my husband finds some...). I don't think they'd be difficult to make, but it'd look really fancy!