Originally posted by Monsterxman
I don't want to argue here, since after listening to more of this band it's obvious they weave well constructed music. I just have no interest in it.
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None of these songs struck me as particularly bad... however I can't really say any of them struck me as original or great either.
If there are better samples/examples of this band, please let me know?
First of all, I applaud the fact that you presented your opinion without flaming anyone, an event becoming more and more common online.
Pain of Salvation's music is all part of a bigger picture, they have not released a CD that isn't a concept album. Especially in the last two discs they released, every song is connected somewhere else on the album.
Beyond the Pale (I assume this is what you ment when you said Beyond the Mirror), The Perfect Element (and to a lesser extent, Plains of Dawn) are all finales to their respective albums (Remedy Lane and The Perfect Element Part I).
Beyond the Pale shows the main character breaking down emotionally, after trying unbearably hard to gain love without sex (after having too much sex without love), and still, even in the end, admitting to his human frailty, he can't put himself past the physical, despite everything he has suffered through in the name of love and desire. This chronicle is less obvious without having heard the rest of the album, the references, musically (notice the re-occurance of that medieval guitar melody from Chain Sling), and lyrically (Fandango, Ending Theme, Undertow, Of To Beginnings, etc.) will seem as if they "don't fit", as their origin remains a mystery. This does not mean that these songs can't stand on their own, it's just they gain n extra light when put into proper context.
The relationship between This Heart of Mine (I Pledge) and Undertow is the same (Note: Daniel said this in an interview with Metal Maniacs, I'm paraphrasing it). Near the end of This Heart..., this theme of love, a bond, appears, being sung by Daniel, and being covered in a guitar part. This theme also appears again in the next track (although very distorted, it's still there), Undertow.
Th love is still there, but the tone has changed to somber, dark, and this theme is reflected back to the listener as feeling hollow, the love and the pledge made in the first song are still present in this one, but it is strained and tense.
The Perfect Element (the song), is much the same way, showing the listener the main charcter's descent into madness, as the troubled past he had been avoiding finally catches up with him. Song for the Innocent, track 10, a lament to the "child", that the main charcter used to be, soon becoming buried in the ending paino melody from Her Voices, a vivid musical portrait of how this gron up narrator has failed at all of his eemingly simple childhood ambitions, before slipping quietly into Falling, a simple, yet soulful final glimpse of the childhood he can never return to (read the poem included in the lyric book, between Song for the Innocent, and The Perfect Element, for more insight into this instrumental piece), before that song does just what its title indicates: falls, more or less, into the title track, which reflects back on the entire CD as the character's past finally becomes too much to bear (what actually happens? I guess we have to wait for Part II...), bringing back themes from Ashes, Morning on Earth, Used, King of Loss, etc. , before finally ending with the sound of a clock in the background, noting that even though he has "fallen beyond the point of no return", time is still "passing by."
I could go on to the other CD's, but you get the drift, each song, on its own, is like an iceberg, if you don't absorb the whole thing, you're not getting the big picture, just a rough idea, however, each song can stand by itself, only the various themes and tie-ins will seem unusual, to say the least. I know this sounds contradictory, but it is as close as I'm gonna come to be able to put the relationship that the songs have into words.
Onto Daniel's vocals, there's no denying the man has talent (he won national vocal awards in Sweden at an extremely young age), some people just don't care for his style, hge sometimes gets a little too operatic and melodramatic, and he exhibited some weakness in the high range on the first two albums.