I got into Opeth just as they were breaking out, after the release of BWP and their tour to the states with Nevermore. I'm not sure whether that was the best time. I'd say during the first two albums would have been killer, but you may have felt a bit betrayed when MAYH came out. As much as I love the new direction Opeth took with MAYH, if I had really only known Opeth for the first two albums it would've been very hard to adjust... actually much as it is now. Watershed doesn't sound like Opeth to me. As far as I'm concerned the band ended with Ghost Reveries and this is a side project that Mike is carrying on to get closer to his influences... which is definitely cool, but largely not for me.
Am I wrong, or are most people not even answering the question in the first post at all?
... I have a 'preview' copy of Watershed, and so far it has not grabbed me...
Am I wrong, or are most people not even answering the question in the first post at all?
the production on the new album is too perfect.
i miss the days of still life and bwp
Ümlaut;7230096 said:Why is the production an issue if it's too good?
Still Life is a fantastic album.
it seems to lose the evil darker tones of the guitar...imo
When every single note that comes out of the singer's mouth is pitched perfectly in tune I think it is an issue. I noticed this on GR and felt that on the whole the production was too.. how shall I say... flat and uninteresting. Other than that I loved the album. But I miss the occasional slips especially in Mike's vocals. They made it all sound more human.
When every single note that comes out of the singer's mouth is pitched perfectly in tune I think it is an issue. I noticed this on GR and felt that on the whole the production was too.. how shall I say... flat and uninteresting. Other than that I loved the album. But I miss the occasional slips especially in Mike's vocals. They made it all sound more human.
I've told this story many times before, but I guess once more can't hurt.
In 1995 a friend of mine came home to me and he had brought a CD that he had just bought. We used to introduce new bands that we discovered to each other all the time. At the time I listened a lot to Edge of Sanity, Morbid Angel, My Dying Bride, etc, so I was quite into Death Metal, but also loved the more progressive side of Edge of Sanity for example.
Anyway, he started the CD (Orchid) and I fell in love with it instantly. I bought it the next day and kept listening to it quite a lot. When Morningrise was released I bought it the same week and instantly loved it as well. However when My Arms Your Hearse came out, the first thing I thought was "wtf!!??", listened to it a few times and decided they've changed too much and that I didn't like what I heard. I guess I wasn't ready for the change.
After a while I listened to it again and fell in love with it as well. I've really enjoyed every single album they've released ever since. D1 and D2 I found refreshing and hoped they would reach a wider audience with Damnation. I really like Ghost Reveries as well, even though I'm an old Opeth fan. And from what I've heard of the new songs I don't think I'll be disappointed about the new album either.
I got into them sometime after Blackwater Park was released, and don't consider it a long time at all. Because I was at the age when I just started getting exposed to this kind of music, what I say may be biased and wrong, but it seemed as if they were just beginning to be known at this point. I don't remember seeing any albums of theirs in stores until Deliverance was released.
When Damnation came out, it was "OMG, that is such a COOL IDEA!". I didn't know anything like it (remember - this was before Foo Fighters, Green Carnation and Borknagar had mellow albums ). At this point, the news that "a metal band has made a soft album" was making waves, and people started checking them out by the dozens. But thanks to Damnation, the expectations for Ghost Reveries was even higher, because it seemed like people were aching for a heavy-as-fuck album again, which may be why some people were dissapointed with the album. I think it was Moonlapse that said it before it was released "This next album is the defining one for Opeth, if they really can take it to the next level" or something of the sort.
So, that's my point of view of how things went, more or less. Hope I answered the question right.