HamburgerBoy
Active Member
- Sep 16, 2007
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Endless Pain is the best Kreator album.

Pleasure to Kill comes close, but after those two albums they're hardly even worth one listen.
Endless Pain is the best Kreator album.
You didn't answer his question, strawman.
If Opeth had disappeared after Morningrise or MAYH, they would be the fucking most cult metal band ever. I think that's hard to argue.
It seems important to me to preserve the legacy of great music, even if the reputation is tarnished. Some young teenager won't think shit of Metallica, but he damn well better go put in some time with Ride The Lightning, and it's important the community insists on it.
If someone blindly trashes Opeth, I won't accept that unless they've put in some listens with the first three albums.
Lateralus14 said:And he didn't answer my question, you fat cunt.
Your predicted response: "I am only moderately overweight, ad hominem"
It's barely listenable, the songwriting is extremely primitive, the musicianship is awful, the production is atrocious, and the music they're playing is basically just Venom stuff with the extremity cranked up a few notches.Edit:Endless Pain is the best Kreator album.
You would say that.
Pleasure to Kill comes close, but after those two albums they're hardly even worth one listen.
Waiting for you to answer mine. Opeth are only original in that they're (possibly) the first band to mash up prog rock influences with a doom/death sound and then not bother to write songs.And he didn't answer my question, you fat cunt.
It's barely listenable, the songwriting is extremely primitive, the musicianship is awful, the production is atrocious, and the music they're playing is basically just Venom stuff with the extremity cranked up a few notches.
explain how alternating Swedeath with increasingly long and pointlessly meandering sections of 1970's prog rock and singer-songwriter music is original.
It's barely listenable, the songwriting is extremely primitive, the musicianship is awful, the production is atrocious, and the music they're playing is basically just Venom stuff with the extremity cranked up a few notches.
You would say that.
The point is that it's not a "style", so much as a poorly melded fusion of two existing styles. Theoretically, one could make dubstep speed metal, and it would not be "original".
I honestly feel like you just insist on calling it unoriginal because the styles don't intertwine so well in Opeth's music.
Firstly, this is a metal forum, and no one should need to explain the desire to listen to "extremity-pushing viciousness." Secondly, Extreme Aggression and Coma of Souls are tight as fuck and kick the shit out of anything Testament has done. If you're trying to say that you dislike the more aggressive side of thrash, then just say that, but the fact is that when it comes to the more aggressive side of thrash, Kreator's first couple albums are pretty ace.As already stated, that is the appeal of those early albums. And the musicianship or Venom influence or whatever is hardly any worse than what Slayer, Exodus, Sodom, and others started off as. Why listen to a band whose sole appeal is extremity-pushing viciousness when you could just listen to a Testament or Megadeth that actually focused on the tight and melodic side of thrash from the beginning?
For something to be a new style it has to be cohesive enough that describing it as a mix of some other shit is not sufficient.Well if the cohesiveness of the interaction is the single most essential factor in determining whether a new style is born, then I suppose you could be right. I simply always thought "if it sounds new, it is new" or something pedestrian that you'll all surely mock me for.
That accurately describes the two or three songs I've heard.http://flamingmetalsystems.blogspot.com/2011/08/meshuggah-my-experience.html I've started blogging, but more about this specific post: controversial or truth?
For something to be a new style it has to be cohesive enough that describing it as a mix of some other shit is not sufficient.