And for the record,
SSOASS
AMOLAD
Killers
The X Factor
Piece of Mind
Powerslave
Somewhere in Time
Dance of Death
Brave New World
No Prayer for the Dying
The Number of the Beast
Fear of the Dark
s/t
Virtual XI
That's my view. Avant garde is not a genre. I consider bands such as Summoning and Portal to be avant garde metal.Mort is wrong. "Avant garde" as a descriptor just means that something is innovative, ahead of the pack, pushing at the limits of the norm. Obviously you can have a band under any genre heading that fulfills those criteria.
Also, people who complain that progressive metal doesn't progress towards anything don't understand that "progressive" in progressive rock came from the Progressive radio format, not some fundamental progression in the music. Progressive metal is simply the distinguishing characteristics of progressive rock (either in part or in full) transferred to metal. What people want "progressive metal" to mean is actually avant-garde metal.
Avant-garde music has nothing to do with being progressive. It's about creating bizarre and experimental soundscapes, song structures and moods.
The "coherency" bit is a quality judgement that has no place being in a description of a genre. Any genre can be used to make bad, incoherent music, including progressive rock. The fact is that progressive rock and its offspring progressive metal are defined, established genres with traditions dating back to the 1970s that are still more or less adhered to by modern prog bands--it is not "music that does new things" or "arty rock music that I personally like". I think Pain of Salvation's Be is an incoherent monstrosity, but it's still progressive (the "metal" part is rather more ambiguous).Actually, progressive music is about creating evolving songs which transition through numerous moods and mindsets while still maintaining a sense of overall coherency. There's a difference between that and the pseudo-progressive music which mainly showcases gimmicky time/tempo fluctuations and flashy technical skills.
Avant-garde music has nothing to do with being progressive. It's about creating bizarre and experimental soundscapes, song structures and moods.
No. Just, no.
S/t needs to be up about 9 places.
s/t is not very good. So it's got Phantom of the Opera and Remember Tomorrow, but that's about it.
Lets not forget Sanctuary. Besides, Remember Tomorrow is one of the weaker tracks.and Iron Maiden and Running Free and Transylvania and Prowler and Charlotte the Harlot
Mort is wrong. "Avant garde" as a descriptor just means that something is innovative, ahead of the pack, pushing at the limits of the norm. Obviously you can have a band under any genre heading that fulfills those criteria.
not sure what kind of response i'm going to get from this...
i thoroughly enjoy Dimmu's Death Cult Armageddon.
No, what you described is progressive. Avant-garde by nature CAN NOT be tied down to any genre.
This probably isn't going to be a very productive argument, since we're just debating the definition of a phrase, but whatever. I apologize if this seems condescending, but I just want to take a simple approach to avoid spinning off into a debate that's more complicated than it needs to be.
"Avant garde" literally means "advance guard," as in the guys in front; in practice it's a term that indicates anything which pushes the norm or is pioneering or "cutting edge," usually (but not always) in an artistic sense. It isn't a genre of music, or a term indicating a state of "genre-less-ness," it's just a descriptor for something that pushes the limits of the norm.
So, you can have a band that recognizably plays a given style, but innovates in enough ways that they could be referred to as "avant garde."
To be honest, "progressive" has a lot more genre-label connotations than "avant garde."
I enjoyed "Death Cult Armageddon" also. I think it's a harder album to appreciate because their really aren't any standout tracks...but, I think as a whole composition it is a great album.