Lateralus14
New Metal Member
- Oct 16, 2008
- 3,542
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Yea I love the palm muting bits in the new solos, I believe there's some in the Hessian Peel solo as well (though my personal favorites are still the final solos on Beneath the Mire and Deliverance - Beneath the Mire cause it's badass and Deliverance for that suspended note when everything else goes quiet..)
Regarding Porcelain Heart, I do think some of the dislike is just people conforming to everyone else's dislike, but after around the 3 minute mark when the 2nd acoustic part transitions to the distortion, I personally think the song falls apart because that "ah-ah-ah" over the power chords sounds really mainstream and the acoustic part after that is ok but doesn't really seem to fit with the song to me. Overall the song is just random and disjointed, but I like the disjointed-ness for the first half, I love when he sings "I...wallowed in shame" then the main riff bursts back into the song.
Again, watershed ftw!
Regarding Porcelain Heart, I do think some of the dislike is just people conforming to everyone else's dislike, but after around the 3 minute mark when the 2nd acoustic part transitions to the distortion, I personally think the song falls apart because that "ah-ah-ah" over the power chords sounds really mainstream and the acoustic part after that is ok but doesn't really seem to fit with the song to me. Overall the song is just random and disjointed, but I like the disjointed-ness for the first half, I love when he sings "I...wallowed in shame" then the main riff bursts back into the song.
Again, watershed ftw!