1. Burzum-Hvis lyset tar oss: No record better captures the essence of black metal than Hvis lyset tar oss: the raw, heathen spirit, the peculiar fusion of power and powerlessness, the consuming atmosphere, and the naturalistic ambiance. Yet, in defining the genre, Hvis lyset tar oss transcends it. Hvis lyset tar oss is universal: it expresses horror and repulsion at the homogenization of culture, thought, and lifestyle. It snarls at the aesthetics, values, and sensibilities of monolithic light of Western culture and Christianity. And yet, it is also highly specific: it is the perfection of the Norwegian black metal sound, with primitive drumming, haunting synths, primal howls and harsh yet hypnotic guitar work. Finally, Hvis Lyset Tar Oss is simply a magnificent journey, traveling through tragedy, fury, retribution, and defeat before finally settling in a space of mystical detachment.
2. Darkthrone- Transilvanian Hunger: Transilvanian Hunger is minimalism perfected. This record is lifelessness expressed through the living. It's as if Darkthrone are mere surrogates for a cold and foreign force. The drums basically repeat the same droning pattern from start to finish, creating a hypnotizing ambiance. The riffs are strange and twisted, sounding simultaneously majestic and grotesque. The cold, emotionless vocals sound as if they're coming from the atrophied mouth a corpse. While this record has been imitated countless times thanks to its simple song structures and lo-fi production, it's chilling, detached execution is virtually unparalleled. No other record sounds so inhumane, in the truest sense of the word. Said succinctly, Transilvanian Hunger is music devoid of the human form of life.
3. Incantation- Mortal Throne of the Nazarene: The album cover to Mortal Throne of the Nazarene is a perfect preview for this masterwork. A set of dismembered body parts are pieced together into a transcendent work of art. Likewise, the various elements of this album, each grotesque in its own right, come together to express something simultaneously demented and profound. Everything about this record is crushing. The drums and bass create a throttling thunder sound, beneath which some of the most demonic and monstrous death metal growls reside. Atop this massive low-end is a series of grotesque riffs. Yet, it is the variety in tempos that push the album of the top. It’s like watching a wild predator chase down its prey and then slowly shred it apart.
4. Enslaved-Vikingligr veldi: On Vikingligr veldi, Enslaved integrate elements of progressive and psychedelic rock, plus ideas from Bathory's viking metal records into the Second Wave template. This leads to epic compositions in which blistering passages of black metal stand side by side with psychedelic passages and bombastic leads. Vikingligr veldi is also philosophically distinct from the other early Norweigian black metal records. While most Second Wave records dwell on an opposition to Christianity, Vikingligr veldi dramatizes and glorifies Norway's viking heritage. Although there are still plenty of dark and foreboding passages, this is ultimately an uplifting, prideful, and empowering monument to Norway's epic history.
5. Emperor- In the Nightside Eclipse: In the Nightside Eclipse is the most influential and popular symphonic black metal album of all time and it's not hard to see why. The record has a vast and icy ambiance that lends itself to the magisterial synth and guitar work. Emperor do an excellent job of blending somber and depressive passages with moments of pomp and bombast, culminating in a lurid majesty that lives up to the band's namesake.
6. Satyricon- Dark Medieval Times: Dark Medieval Times epitomizes the essential elements of the early Norwegian style. The raw yet echoic production creates a haunting, foresty ambiance. The music shifts between slower, depressive passages and fast-paced, throttling passages. Throughout, there's a hint of majesty embedded within an aura of doom. Keyboards and acoustic guitars are subtly infused, creating hypnotic background textures that occasionally take center stage, such as folky interludes on the title-track and the apocalyptic synths that close out "The Dark Castle in the Deep Forest."
7. Graveland- Carpathian Wolves: Carpathian Wolves is an unsettlingly dark album. Everything about this record just seethes darkness, from the vile snarls to the vicious riffs to the blaring synths that sound like the soundtrack to the doorway to Hell. The compositions are raw, tribal, and warlike, but also convey a profound, dark mysticism. The album also kicks off with the best piece of black ambient ever recorded.
8. Gorgoroth- Pentagram: Gorgoroth's debut is unrelentingly vicious. The riffs are cold and violent and the drums throttle like a war hammer. The vocals are as high, shrill, and thin as any put to record, functioning like a needle repeatedly puncturing skin. The culmination is an invigorating display of hate.
9. Gorement- The Ending Quest: A uniquely majestic death metal album that implements a variety of depressive and haunting elements (bass leads, synths, acoustic guitars, etc.) to great effect. There is a strong balance between melodic doom metal and churning death metal, but it is the chilling melodies that most resonate on The Ending Quest.
10. Mayhem- De mysteriis dom Sathanas: It took years for De mysteriis dom Sathanas to click with me. Attila Gábor Csihar's low, gurgled vocals and the spooky ambiance of the album didn't sit right with me. It wasn't until I saw the album performed live in its entirety that I learned to appreciate this album for what it is. It strives to find a balance between atmospherics and precision, and for the most part, it hits the mark. De mysteriis dom Sathanas contains excellent musicianship across the board, including arguably the greatest drumming performance in the history of black metal, and the cleanest documentation of iconic guitarist Euronymous's stellar guitar skills; even Varg provides some exquisite basslines (the bassline from "Life Eternal" is unforgettable). Attila's vocals are indeed hit and miss, as at times his vocals come off as campy, but for the most part, he's effective and his performance on the title track is absolutely chilling.
11-25:
11. Cryptopsy- Blasphemy Made Flesh
12. Graveland- The Celtic Winter
13. Rotting Christ- Non Serviam
14. Megadeth- Youthanasia
15. Xibalba- Ah Dzam Poop Ek
16. At the Gates- Terminal Spirit Disease
17. In Flames- Lunar Strain
18. Infester- To the Depths, in Degradation
19. Forgotten Woods- As the Wolves Gather
20. Thergothon- Stream From the Heavens
21. Bethlehem- Dark Metal
22. Bolt Thrower- ...for Victory
23. Dream Theater- Awake
24. Satyricon- The Shadowthrone
25. Tiamat- Wildhoney
Everything up to 21 is at least an A-. An absolutely phenomenal year.