Don't agree at all, but let's say it is.The chorus and the end yes, they're pop.
Then don't complain about people calling them popSo what? There are pop elements in the song yes, the song sounds awesome IMO so who cares
Its probably the only innovative song in SC
The rest of the song is forgettable. Now we're skipping the fact that modern in flames is about choruses?Don't agree at all, but let's say it is.
So the chorus and the end being what it is means "they're going pop"?
Did you skip the rest of the song?
The full song is garbage.Pop parts of that song are good. Rest of the song is garbage.
The full song is garbage.
Still couldn't listen to the album. I hope that I will soon.To be honest, listening to DT's Atoma just reminds me how pathetic In Flames' recent output is. They could have really pushed on if they'd continued to evolve and refine the SOAPF sound (which, in of itself, was an evolution of the ASOP sound).
Instead, they hit the reset button again with SC and Battles is some weird California-pop metal/SC hybrid.
With that said, there's still a clear pattern of evolution with DT. From the beginning to now, there's an identifiable trend in their music which can at times make it predictable but it rarely disappoints in the same way an album like Siren Charms did.
For me, DT are a great example of a band evolving, trying a few different things but still maturing a consistent sound. In Flames have such wild changes in their music from album to album that it isn't really an evolution - a lot of the times they're practically starting from square one (or square nothing, if you prefer). Siren Charms in particular is not an evolution of any sound they've had before, it's completely different and for that reason it can't really be labeled mature. It's another beginning. In Flames as a band seem to have an ongoing identity crisis, whereas a band like DT know what they want to be and try to refine their sound every time they release a new album. That's true maturation, in my mind, not jumping around all over the place and never settling on a consistent sound.
Yeah, just another example of laziness I guess. It bothers me less these days, just because the lyrics are generally not that good anyway. Even if The Truth was a total grammatical disaster, it wouldn't really matter because the lyrics suck anyway.
Or we could just wait until we actually have heard the album before taking a piss on it?
I seriously doubt that this álbum is better than soapf. Until know, the three songs that we've heard are worst than anything on that album.That review seems fair enough. Not very detailed, but it gives an idea that It's hit or miss, but (according to them) better than the last 2 albums.
I seriously doubt that this álbum is better than soapf. Until know, the three songs that we've heard are worst than anything on that album.