ThePhobiac
be at ease
@Jester Slave Thanks for the write-up. The structure of the pre-chorus is similar to the one in “The End”, but yeah, as Ilias said, that’s the only real similarity.
The bridge riff is within the same vein as I’m the Highway, but it’s not the same riff, and the drums are different between the two songs, which gives each a different function (IatH uses syncopated crash cymbals to keep the momentum from the chorus going, while ItM functions more like a heavy breakdown). Honestly, I’d have never picked up on this and I struggle to hear it.
The verse riff is just ASOP-esque. It’s in the style of Disconnected, Sober and Irrelevant, and Mirror’s Truth, but I really don’t hear how it’s lifted directly from Disconnected.
idk, I see what you’re saying, and I get why it’d be concerning, but in this case, it honestly feels like reaching to me.
@DE4life Nah, I do hear it on EG and Rusted Nail. Those are p much directly lifted. I just don’t think it’s malicious or lazy or anything. I’m sort of guilty of writing similar riffs and chord structures myself. Hard to say what Bjorn’s intentions were but I would speculate that he’s been playing these songs for so long that some of these riff structures come as reflex when writing them.
@A88 said something about never forgetting the music you’ve written. I don’t completely agree with that. I sometimes find that, after I’ve written a song, it’ll occur to me “hey wait, this part of the song has the same chord structure as that song I wrote last year...” But I keep it in because I like how it sounds, or it works differently in this newer song, or I alter it a little. A lot of it is subconscious, at least for me.
The bridge riff is within the same vein as I’m the Highway, but it’s not the same riff, and the drums are different between the two songs, which gives each a different function (IatH uses syncopated crash cymbals to keep the momentum from the chorus going, while ItM functions more like a heavy breakdown). Honestly, I’d have never picked up on this and I struggle to hear it.
The verse riff is just ASOP-esque. It’s in the style of Disconnected, Sober and Irrelevant, and Mirror’s Truth, but I really don’t hear how it’s lifted directly from Disconnected.
idk, I see what you’re saying, and I get why it’d be concerning, but in this case, it honestly feels like reaching to me.
@DE4life Nah, I do hear it on EG and Rusted Nail. Those are p much directly lifted. I just don’t think it’s malicious or lazy or anything. I’m sort of guilty of writing similar riffs and chord structures myself. Hard to say what Bjorn’s intentions were but I would speculate that he’s been playing these songs for so long that some of these riff structures come as reflex when writing them.
@A88 said something about never forgetting the music you’ve written. I don’t completely agree with that. I sometimes find that, after I’ve written a song, it’ll occur to me “hey wait, this part of the song has the same chord structure as that song I wrote last year...” But I keep it in because I like how it sounds, or it works differently in this newer song, or I alter it a little. A lot of it is subconscious, at least for me.