no country for old wainds
Active Member
- Nov 23, 2002
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To me, it seems self-evident. Nobody is going to write music so inaccessible for the purposes of entertainment (until it becomes a trend, at least), and in such aggressive, intense music which not only focused on death, deconstruction and chaos but was literally named after death, it's obvious that there's an underlying seriousness spawned from a belief system rather than a desire to please fans or to stay true to a lifestyle. This belief system unified and defined it as a genre, plenty of bands which sound very different are clumped together because the underlying factor is their goal to present a feral, natural, very real world free from order and anything but free from death.
I can't really prove it, one can ask people who were around in the early '90s when DM was really pushing boundaries or earlier but one can also deny the credibility of any of these sources.
I can't really prove it, one can ask people who were around in the early '90s when DM was really pushing boundaries or earlier but one can also deny the credibility of any of these sources.