there's no h in wigger.
jive honkey.
Yes's lyrics are awesome. They make sense in really abstract way.
Their music directly describes the music.
Most metal lyrics are vastly superior to hip hop lyrics or alt/indie rock lyrics.
sometimes... but Yes has some glaring examples for bad execution i could point out... like in "Long Distance Runaround", there's the line "waiting to feel the sound". this seems to be one of those cases where it's meant to sound deeper than it is, but since there's nothing else in the song's context that is explained or referenced in the idea of feeling sound rather than hearing it, since it appears to be nothing but an arbitrary replacement. that this line could just have easily, and most likely originally was, "hear the sound", but in it's current, "deeper" form, actually isn't any better at all and is mostly just confusing... it fails.
but i'm holding them to a pretty high standard since the music is so gr8.
So you think "yo yo yo rims, hoop and hoes" is better than metal lyrics? And all indie rock lyrics are about girls, and nothing else, which makes for shitty lyrics.Ahahaha, not even by a fucking long shot.
Sure there are bands like Primordial, Agalloch, and In The Woods... but on average, no.
So you think "yo yo yo rims, hoop and hoes" is better than metal lyrics? And all indie rock lyrics are about girls, and nothing else, which makes for shitty lyrics.
Sage Francis - The Buzzkill said:(Recorded Voice)
You are listening to the heartbeat of the Sage
Sage posses the newest and most revolutionary advance in split second presentation
As well as split second calculation
To protect the future of America
The defense techniques of tomorrow had to be discovered now
But Sage needed more than this
New concepts, new tools, new weapons
By analyzing the past, Sage can project into the future
(Sage Francis)
I used to think that rappers had it figured out
Brass Monkey, St. Ides, Old English, and Guiness Stout
Once a man twice a boy with a choice of vice or voice of spite
Not enough poisons to pick to enjoy this life
Then I thought suicide was a suburban myth
I couldn't see my own hands being the ones I'm murdered with
That is until I traveled this world a bit
I understand now if I lose my nerve I'll get the girl to do it!
She heard the music but preferred the person, she's worth it
The only one I left behind the curtain to work with
Pushin' buttons and playin' with levers
We'll stay together as long as I'm honest in my songs
(Radio) Suckers never play this
Scared shitless of dismissing clear channel playlists
Poorly developed, yet highly advanced
The black music intertwined with the white man's line dance
(Recorded Voice)
Supersonic, super destructive, seemingly unresistable
On the job, around the clock, with 24 hour a day reliability
Constantly monitoring, pulse-taking, controlling
Into a continuous flow of interpretation, which could be understood at a glance
(Sage Francis)
It's not only a time I'm kept
Busy with shivers and cold shakes
Sitting on snow banks
Waiting to be delivered some soulmates
Or wait
Lift and tuck my fate for several levels
Fill my body till they send me an empty face with the head of devils
My breath resembles the smell of flowers
Yanked from life and placed in a vase
Sits and wilts and rots and dies in the name of grave mistakes
That we all make
Believe that we're getting by treating ourselves wrong
Throw me a reindeer John letter party
And ill be there with bells on
Hell spawn
So if he calls the city hall
They still got the gall
To blame the victory all on biggie smalls
From strip malls
To strip clubs
They slip drugs
Into the drinks that kids love
Tell us to drink up and get buzzed
This is the buzz kill, jump into the saddle
Emerge from the dust kicked up in the uphill battle
With my guns drawn and sword out
Pointed towards the couthouse
I sort out words from my war torn mouth
I disassociate the actions with their meanings
On some "ends justify the means" mentality
Plus I'm bleeding
Give me a bandaid a band that can't play
A fanbase with hearing aids and a voice like a hand grenade
I pull the wool over their vision
Pull the pin and push it in 'em
Using women as a pin cushion
A super villian
With some war paint and jokes done in poor taste
We'll see who laughs last all the way to foreign banks
(Recorded Voice)
Ready to take over in a matter of seconds
to protect the future of America
Sage also has protection too
(Come on come on, feel it feel it)
The protection which comes with the possesion weapons of retaliation
But is this protection enough?
(Sage Francis)
(I was) I was B-boyin' in my former body
Singing all the songs at parties
Now I'm like don't let nobody
Through the door in the hotel lobby
I'd wear Armani if they endorse me
So people who are poor can rob me
Then forcefully sex me up
Color me confused when they paint issues black and white
Resuscitate their grey matter right back to life
It's my destiny, she wants me she beckons
She left me for dead but death didnt want no sloppy seconds
I'm certified fresh
I freedom kiss the French for their political dissent
Like *mwah* I do it with tongue this time
And take that bovine blood out your wine
And take that statue back to the lab it was created at
Your huddled masses yearning to breath free
Take 'em back!
Your homeless tempest-tossed to me
Take 'em back!
The U-S-A has cracked
(Recorded Voice)
And as long as we're on guard
As long as we're ready to look ahead
To move ahead
The future of America is secure
Joanna Newsom - Emily said:The meadowlark and the chim-choo-ree and the sparrow
Set to the sky in a flying spree, for the sport over the pharaoh
A little while later the Pharisees dragged comb through the meadow
Do you remember what they called up to you and me, in our window?
There is a rusty light on the pines tonight
Sun pouring wine, lord, or marrow
Down into the bones of the birches
And the spires of the churches
Jutting out from the shadows
The yoke, and the axe, and the old smokestacks and the bale and the barrow
And everything sloped like it was dragged from a rope
In the mouth of the south below
We've seen those mountains kneeling, felten and grey
We thought our very hearts would up and melt away
From that snow in the night time
Just going
And going
And the stirring of wind chimes
In the morning
In the morning
Helps me find my way back in
From the place where I have been
And, Emily - I saw you last night by the river
I dreamed you were skipping little stones across the surface of the water
Frowning at the angle where they were lost, and slipped under forever,
In a mud-cloud, mica-spangled, like the sky'd been breathing on a mirror
Anyhow - I sat by your side, by the water
You taught me the names of the stars overhead that I wrote down in my ledger
Though all I knew of the rote universe were those pleiades loosed in december
I promised you I‘d set them to verse so I'd always remember
That the meteorite is a source of the light
And the meteor's just what we see
And the meteoroid is a stone that's devoid of the fire that propelled it to thee
And the meteorite's just what causes the light
And the meteor's how it's perceived
And the meteoroid's a bone thrown from the void that lies quiet in offering to thee
You came and lay a cold compress upon the mess I'm in
Threw the window wide and cried; Amen! Amen! Amen!
The whole world - stopped - to hear you hollering
You looked down and saw now what was happening
The lines are fadin' in my kingdom
Though I have never known the way to border 'em in
So the muddy mouths of baboons and sows and the grouse and the horse and the hen
Grope at the gate of the looming lake that was once a tidy pen
And the mail is late and the great estates are not lit from within
The talk in town's becoming downright sickening
In due time we will see the far butte lit by a flare
I've seen your bravery, and I will follow you there
And row through the night time
Gone healthy
Gone healthy all of a sudden
In search of the midwife
Who could help me
Who could help me
Help me find my way back in
There are worries where I’ve been
Say, say, say in the lee of the bay; don't be bothered
Leave your troubles here where the tugboats shear the water from the water
Flanked by furrows, curling back, like a match held up to a newspaper
Emily, they'll follow your lead by the letter
And I make this claim, and I'm not ashamed to say I know you better
What they've seen is just a beam of your sun that banishes winter
Let us go! Though we know it's a hopeless endeavor
The ties that bind, they are barbed and spined and hold us close forever
Though there is nothing would help me come to grips with a sky that is gaping and yawning
There is a song I woke with on my lips as you sailed your great ship towards the morning
Come on home, the poppies are all grown knee-deep by now
Blossoms all have fallen, and the pollen ruins the plow
Peonies nod in the breeze and while they wetly bow, with
Hydrocephalitic listlessness ants mop up-a their brow
And everything with wings is restless, aimless, drunk and dour
The butterflies and birds collide at hot, ungodly hours
And my clay-colored motherlessness rangily reclines
Come on home, now! All my bones are dolorous with vines
Pa pointed out to me, for the hundredth time tonight
The way the ladle leads to a dirt-red bullet of light
Squint skyward and listen -
Loving him, we move within his borders:
Just asterisms in the stars' set order
We could stand for a century
Starin'
With our heads cocked
In the broad daylight at this thing
Joy
Landlocked
In bodies that don't keep
Dumbstruck with the sweetness of being
Till we don't be
Told; take this
Eat this
Told, the meteorite is the source of the light
And the meteor's just what we see
And the meteoroid is a stone that's devoid of the fire that propelled it to thee
And the meteorite's just what causes the light
And the meteor's how it's perceived
And the meteoroid's a bone thrown from the void that lies quiet in offering to thee
Okkervil River
A Stone
Hot breath, rough skin, warm laughs and smiling,
the loveliest words whispered and meant - you like all these things.
But, though you like all these things, you love a stone.
You love a stone, because it’s smooth and it’s cold.
And you’d love most to be told that it’s all your own.
You love white veins, you love hard grey, the heaviest weight, the clumsiest shape, the earthiest smell, the hollowest tone - you love a stone.
And I’m found too fast, called too fond of flames, and then I’m phoning my friends, and then I’m shouldering the blame, while you’re picking pebbles out of the drain, miles ago.
You’re out singing songs, and I’m down shouting names at the flickerless screen, going fucking insane. Am I losing my cool, overstating my case? Well, baby, what can I say?
You know I never claimed that I was a stone.
And you love a stone. You love white veins, you love hard grey, the heaviest weight, the clumsiest shape, the earthiest smell, the hollowest tone - you love a stone.
You love a stone, because it’s dark, and it’s old, and if it could start being alive you’d stop living alone.
And I think I believe that, if stones could dream, they’d dream of being laid side-by-side, piece-by-piece, and turned into a castle for some towering queen they’re unable to know.
And when that queen’s daughter came of age, I think she’d be lovely and stubborn and brave, and suitors would journey from kingdoms away to make themselves known. And I think that I know the bitter dismay of a lover who brought fresh bouquets every day when she turned him away to remember some knave who once gave just one rose, one day, years ago...
good hiphop lyrics.
ok, i'm d/ling some sage francis, but you have to promise to find Okkervil River "Black Sheep Boy", they're from right up the road in Austin so i kinda feel like i owe it to the scene to promote something so amazing.