Diabolik
Member
text messaging is the new thing to do at concerts....at Sonata Arctica everyone was doing that the whole time. it was driving me nuts.
Fair enough, but blasting someone for skipping? MOVING too "pop?" ... It just seems rediculious.
I've never been to a show that was affected by a curfew.
I know one thing that pissed me off at the Worcester show was this pair of girls up by the sound board, which is where I was since I got in too late to be able to get near the rail and I'm too short to be anywhere on the floor that isn't right near the railing and still see. They were sitting down near the sound board, and while one of them glanced at the stage every now and again, the other one didn't look up from her phone ONCE the entire evening. She was texting the whole time. Seriously, who pays for a concert to text the whole time?
In fact, I said, about her skipping thing, "which is cool." Therefore, I was NOT blasting her, just commenting on my impression of it. Lighten up man.
damn, that's cold...did the band say anything? I imagine the crowd was pretty angry.A few years ago we saw Iced Earth at The Metro in Chicago. This was with Jag Panzer and Evergrey opening for them. The Metro actually shut off the power to the band while they were playing.
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Were you on the floor? Around the bar, there were tons of the yuppie-types. I am not saying that you have to have long hair and wear a black t-shirt to attend a metal show but there is definitely a difference between normal metal show attendees and these folks I'm referring to. Kind of like the difference between "bikers" and the new suburban "harley owners". Many of these folks have just heard the new "pop" songs and don't even like metal. By and large, they are also kind of rude, hugely arrogant and pompous.
There was a couple near us (left side behind the sound board just next to the giant pole) and it seemed that the guy knew the band, and brought his girlfriend. She danced to the new pop songs, but was completely pissed off at the guy standing next to her that was headbanging. Her expression was priceless - like "What IS that?".
We were not on the floor. I refused to be on the floor because people like to mosh at nightwish. However, none of that happened at this show. But I digress...I was by the bar stage left.
It depends on the curfew law. As far as I know, Chicago is the only city in the area to have such a law; the suburbs aren't affected. And I don't know how many other places in the country have curfew laws, but it's probably not a lot (unsurprisingly, they regularly get challenged in court). Anyway, the law in Chicago states that kids under 17 have to be home by 10:30 on weekdays, and 11:30 on weekends. They're exempt if accompanied by a parent, but in general, music venues doing all-ages shows just require the shows to be done sometime before the curfew.
Works for me!
I took my son two Euro festivals this year; Bang Your Head in Germany and Tuska in Finland. We had a BLAST!
We also went to the Nighwish show in Worcester for his home-coming celebration. I have to say, I never have more fun at a show then when I'm with Ben. His enthusiasm is contagious and I end up acting half my age - a very GOOD thing. :Smokin:
Only problem was that any concert after Therion seems lame
Both Minneapolis & St Paul have curfews. All age shows have to be over by 10:00pm. 18+ or 21+ shows can go until bar close. Sometimes the early shows are welcome during the work week.
BAHAHAHA!!!! I will be there Miss Lady! Can't wait! Welllll, actually I CAN wait because being there means I am "home" from Denmark. I am VERY much looking forward to seeing NW again, though. It's been toooooo long.James and I will be there!!! Tess and her mom might be coming down and staying with us and going, too!!!! (now you have to, girl, since I just announced it!! )
Well, said! That's it! And Tuomas has alluded to that in many interviews. Tarja was an amazing voice but it was "odd" in the mix, most noticeably live. Kill me Tarja fans, but it was a juxtaposition of classic vocals to rock/metal compositions that, while intriguing at first, got a bit strange to many people. So, is it a sell out to change the vocals or just a natural progression? Well, that will be debated, without resolution, forever, but as much as I grew to appreciate the odd mix of Tarja's vocals, Anette's are so much more in tune with Tuomas's music. And it just feels so damn good. [/opinon mode off]However, I would argue that the pop element was always in the music in the first place. The only reason a lot of people didn't notice it was because of Tarja's (in my opinion) out-of-place vocals. I just think that it makes sense that the songs translate the way they do with Annette on vocals. When I hear the older material with Annette, I hear it the way I would envision it if I wrote it.
Met-Al
Well, said! That's it! And Tuomas has alluded to that in many interviews. Tarja was an amazing voice but it was "odd" in the mix, most noticeably live. Kill me Tarja fans, but it was a juxtaposition of classic vocals to rock/metal compositions that, while intriguing at first, got a bit strange to many people. So, is it a sell out to change the vocals or just a natural progression? Well, that will be debated, without resolution, forever, but as much as I grew to appreciate the odd mix of Tarja's vocals, Anette's are so much more in tune with Tuomas's music. And it just feels so damn good. [/opinon mode off]