And why do you think we hate Metallica? For exactly that. Most of us only listen to the first 3 or 4 albums of theirs.For example: the answer I hear alot is that Nu-metal is too commercial, but in the late '80's bands like Metallica were just as popular maybe even more popular.
In 1989 metal accounted for over 40% of all record sales, this is a popularity Nu-metal has never seen.
Also alot of you see the musical simplicity of Nu-metal as a problem and see it's musicians as inferior. While John Otto and Sam Rivers of Limp Bizkit are classically trained jazz musicians, Ryan Martinie of Mudvayne, also a classically trained Jazz bassist and there are more of these examples. The simple character of Nu-metal seems to be a choice rather than a short coming of it's musicians (ofcourse there are exceptions) Alot of the early metal bands are mostly self-taught musicians, and use fairly simple riffs, so why is this a problem when it comes to Nu-metal?
Could you help me shine a light on these matters?
Source? What bands is this counting?For example: the answer I hear alot is that Nu-metal is too commercial, but in the late '80's bands like Metallica were just as popular maybe even more popular. In 1989 metal accounted for over 40% of all record sales, this is a popularity Nu-metal has never seen.
You are focusing on irrelevant factors like popularity and musicianship. Nu metal can only be considered metal if you are using the mainstream definition of it ("loud and heavy"). Nu metal is a *separate* scene that did not evolve out of metal and has little to no metal influence in it. It is collection of hard rock rap/funk/etc. hybrid bands that were only called metal by the rock media initially, and later by persons uneducated in the basic genealogical history of metal. Again, "Nu metal" isn't a clear stylistic derivation of any prior metal movement. No one has ever shown how it is. In fact, this thread illustrates well the kind of logic that makes people consider Nu metal to be metal. Idiotic logic like this:How come metal fans accepted the popularity of these early bands and see it as a problem when it comes to Nu-metal bands?
Also alot of you see the musical simplicity of Nu-metal as a problem and see it's musicians as inferior. While John Otto and Sam Rivers of Limp Bizkit are classically trained jazz musicians, Ryan Martinie of Mudvayne, also a classically trained Jazz bassist and there are more of these examples. The simple character of Nu-metal seems to be a choice rather than a short coming of it's musicians (ofcourse there are exceptions) Alot of the early metal bands are mostly self-taught musicians, and use fairly simple riffs, so why is this a problem when it comes to Nu-metal?
Could you help me shine a light on these matters?
Nikki said:I do think that Nu-metal is a real sub-genre of heavy metal because well, it's not rock, it's surely not rap, therefore, it's metal.
1.)
5.) I think the Heavy metal scene never really accepted Nu-metal because…it didn't have a timeless value to it like other forms of heavy metal did and once the listening public started to mature somewhat, the in-your-face, anti-establishment messages of many nu metal bands no longer appealed to its former fans.
nu-metal is a white b-boy's attempting at making hard rock.
nu-metal is a white b-boy's attempting at making hard rock.
I see you don't even know what b-boy means
amusing posts though
grindcore and crossover were anti-establishment as well. how does that figure into your argument?
The real question is how is nu metal "anti-establishment" in any major way? Aside from, say, Rage Against The Machine?Grindcore has never been massively popular, and thus never succumbed to "mass-consumption syndrome", in which a large amount of people become interested and then quickly leave. Because there is a steady cycle of people becoming interested in grindcore, it has always maintained a steady underground following. Same goes for crossover.
You are focusing on irrelevant factors like popularity and musicianship.