^English motherf*cker, do you speak it?
Hmm... instead of being offended, take the time to appreciate my Pulp Fiction reference, and to better your skill with the English language.

 ). Even a really simplistic percussion would add greatly to that song. Nice riffing, by the way.
). Even a really simplistic percussion would add greatly to that song. Nice riffing, by the way.
 ] but since I listen to Opeth massively it must have been something in the subconscious), but then a lot of riffs Akerfeldt writes can be related to other bands' works as well. Maybe not as much as this, though, I'll admit that. I'll also admit it's simple and in places, too predictable, but that's a problem because this is an Opeth forum and Opeth relies on unpredictability
] but since I listen to Opeth massively it must have been something in the subconscious), but then a lot of riffs Akerfeldt writes can be related to other bands' works as well. Maybe not as much as this, though, I'll admit that. I'll also admit it's simple and in places, too predictable, but that's a problem because this is an Opeth forum and Opeth relies on unpredictability 
How about this? Only four minutes or so, and no midi - it's a mp3!!
http://rapidshare.com/files/137877164/hi.mp3.html
Never mind the shit recording quality. And the first 1.30 minutes. (which sucks) After that I think it becomes... at least more creative with the acoustic part.
As for the "Insane Expectation", I think the lack of drums makes some of the riffs much harder to understand (not that mine has a really clear production, but). Even a really simplistic percussion would add greatly to that song. Nice riffing, by the way.
i checked out ur second one, but as many people have pointed out in another thread im not the biggest fan of heavy opeth so maybe you should disregard what i say
i found alot of those phrases with straight power chords got kinda boring, as did the thrashy sounding low e segments. i saw some 6ths in there too to be fair, but imo power chords and octaves they get boring fast - especially since they are in pretty much the standard positions (most of the time). my advice is, maybe try changing it up and adding some less used chords, you could try using a sus4 chord which sounds kind of evil, or a diminished triad and take off the root for better switching ease. maybe try inversions (works alot better in triads than in power chords.) but yeh, just remember im not a big fan of power chords in the first place, so instead u could maybe change the position around or add in some tensions to the chord?
i thought the string skipping section was nice, maybe a little too high tempo but still sounds good. are you going to put any leads or solos in?
sorry i skimmed through it quickly, i dont have very much constructive information for you other than that
 
	