I'd be interested in reading that interview. Is it something you're planning for the next issue of Heretic's Torch?
Yes.
Has anyone read 20,000 Leagues Under The Sea? I've got limited options but I'm looking to buy a classic novel (in english) to read between now and my trip to America next week, preferably one centered around ships and oceans.
>implying whether or not you should read it
Yes.
What's a good place to start with Lovecraft?
Yes.
Wait.
This is more of a general information post that can apply to anybody:
Lovecraft wrote in phases, which somebody (it might have been Joshi) has evidently labeled his "Macabre" stories, his "Dream Cycle" stories, and his "Mythos" stories.
This corresponds with his infamous "There are my Poe' pieces and my 'Dunsany' pieces – but alas – where are my Lovecraft pieces?" Early in his literary life, up to about 1919 or so, Lovecraft was so enmeshed within his vast Poe influences that it literally penetrated everything he wrote, especially his style (rightly so, as Poe is the single person most responsible for the legacy of the weird tale as we know it). It really is hard to pinpoint any of his works as particularly Poe-esque because the vast majority of his earlier stories are very Poe-derived, if not in plot, then in many other facets. This obviously corresponds to his "Macabre" period, whereas the "Dream Cycle" relates to his discovery of Lord Dunsany and the revelatory nature of his writing (though he sort of anticipated his discovery of Dunsany with his story "Polaris", which suggests that he was already inclined to such mannerisms and was fully prepared for Dunsany's works). From about 1920 to 1927 he wrote many 'fantastic' stories taking place in fully fictional worlds whose atmosphere's intention was more to inspire awe and wonder than horror and fear (though not to the extent of Dunsany's whimsical narratives). It was not until approximately the last decade of his life that Lovecraft
truly came into his own as a unique writer and genuinely made significant contributions to the American literary landscape. This obviously corresponds to his "Mythos" writings. With the idea in mind that Lovecraft's writing went in phases and evolved to become the Cthulhu Mythos that he is by far most well known for, it's important to understand the progression, so I'm going to suggest a chronological guide (with adjustments to more accurately portray the changes in his writing) of a handful of stories that exemplify Lovecraft's work as the evolving corpus that it turned out to be and not simply stick with 'the classics'.
"Dagon"
"Beyond the Wall of Sleep"
"The Statement of Randolph Carter"
"Facts Concerning the Late Arthur Jermyn and His Family"
"The Music of Erich Zann"
"The Rats in the Walls"
"Cool Air"
"Polaris"
"Celephaïs"
"The Doom that Came to Sarnath"
The Dream-Quest of Unknown Kadath
The Case of Charles Dexter Ward
"Pickman's Model"
"The Color out of Space"
"The Call of Cthulhu"
"The Dunwich Horror"
"The Whisperer in Darkness"
At the Mountains of Madness
The Shadow over Innsmouth
"The Haunter of the Dark"
"The Shadow out of Time"
Cliff Notes for OI: If you want to get right to the meat of the man's legacy, start with "The Call of Cthulhu", go on to
The Shadow over Innsmouth, then read
At the Mountains of Madness and "The Shadow out of Time".