Einherjar86
Active Member
That's some BS. I already see this second and third hand far more than I would like. And my professor wonders why I have less than zero interest in academia. Keeping people dangling while other opportunities disappear is a shitty process.
The silver lining of having no other current offers is that I have no opportunities in risk of disappearing. The inner shittiness, however, is that I have nothing to leverage...
Congrats! I'm already ready to be done now that I have a job pretty much on lockdown when I finish. Still have two years to grind out though.
Thanks. I could have defended this year but the market is so terrible that I secured a bit more time at BU just in case. But even if nothing pans out next year, I'm going to defend. I need to for my sanity's sake.
I wish I had a job on lockdown, but that's the risk of looking for work in humanities education. These days, the first round usually turns up nothing, so I was excited to hear back from AAAS. If that falls through, I'll make the rounds again and hopefully have better luck next winter.
My dept recently rolled out a rubric to try and standardize the process some but it's still quite subjective and you're kind of at the mercy of the luck of the draw of the committee.
That's interesting. For the English comps here (we call them "orals" b/c it's spoken, not written), you get to choose your committee; but you do still get the occasional faculty member who likes to fling a question at you out of left field. Then they make you wait outside the room afterward while they discuss whether you passed. It's agony.
My department also has issues with standardizing the process. It's unclear from the graduate handbook whether the exam is primarily supposed to test coverage (i.e. how many different texts you can talk about in your proposed field) or expertise (i.e. how much you can develop ideas about specific texts). Exams usually tend toward coverage, since you take it before you write your prospectus, but sometimes professors ask about your idea for a project (especially if one of them ends up being your first reader, which was the case in my exam).
The problem is that most people's reading lists end up being a weird hybrid a texts they're very familiar with and texts they're told to read if they want to teach a survey course on American modernist fiction (for example, I'm not an expert on John Dos Passos and haven't thought about him since my exam, but I had to read two of his novels for the damn test). And since it's a 2-2.5 hour exam, there's no way they can ask you about every book, so it becomes a game of trying to guess which ones they'll ask about and focus more intensely on those.