- Feb 9, 2007
- 14,620
- 805
- 113
The purpose of this thread is to compile a list of all of metal's innovators, along with a brief description of what exactly they contributed to the metal.
If you know of a band not yet listed which belongs on the list, post their name and an objective description of their contribution to metal (plus, if desired, the names of an album or two which exemplify this innovation), and I'll add them to the list below.
For controversial nominations, my policy will be to assume good faith initially and keep a nomination on the list until someone can either (A) point out a band that had the same innovation at an earlier time, or (B) make a solid argument that the band's innovation is too trivial to be mentioned. Also, if a faulty or inaccurate description goes up for a band, anyone is welcome to suggest a different one.
---------------------------------------------------------------------------
Atheist
* Created the first technical death metal through the use of complex riffs and varying time signatures. (Piece of Time, 1989; Unquestionable Presence, 1991)
* First band to incorporate jazz into death metal.
At the Gates
* Released the first melodic death metal album. (The Red in the Sky is Ours, 1992)
Bathory
* Set the standard for black metal. (Bathory, 1984)
* The first band to use fully-harsh, toneless vocals. (Bathory, 1984)
* Created the first folk metal album (specifically, Viking metal) by adding lyrical themes of Norse mythology and paganism, (Blood Fire Death, 1988) along with a slow-paced, epic musical style. (Hammerheart, 1990)
Black Sabbath
* Set the standard for heavy metal, and have been an influence on almost every metal band, especially in the stoner and doom subgenres for which they laid the foundation. (Black Sabbath, 1970)
Boris
* Incorporated a wide variety of rock (i.e noise, punk, pop and shoegaze) and metal (i.e. sludge and doom) styles into drone doom.
Carcass
* Created goregrind.
Celtic Frost
* Created a style of thrash metal with chaotic, dissonant riffs and occult lyrics which would heavily influence black and death metal. (Morbid Tales, 1984)
* One of the earliest groups to combine classical music with metal. (Into the Pandemonium, 1987)
Devourment
* Created the first slam death metal through the use of gurgling vocals and groove breakdowns. (Molesting the Decapitated, 1999)
Dream Theater
* Created a unique, classic rock influenced style of progressive metal which set a new standard for the genre and evolved it beyond the power and thrash dominated styles of previous bands. (Images and Words, 1992)
Emperor
* Set the standard for symphonic black metal. (In the Nightside Eclipse, 1994)
Exhorder
* Created groove metal, along with Pantera. (Slaughter in the Vatican, 1990; The Law, 1992)
Fates Warning
* Created the first progressive metal, along with Queensrÿche and Watchtower. (The Spectre Within, 1985)
Godflesh
* Created the first industrial metal, along with Ministry. (Godflesh, 1988)
Helloween
* Formulated the standard sound for European power metal. (Keeper of the Seven Keys Pt. 1, 1987)
Judas Priest
* Created a raw guitar tone and aggressive riffing style which came to characterise power metal, speed metal and thrash metal. (Sad Wings of Destiny, 1976; Sin After Sin, 1977; Stained Class, 1978)
Metallica
* Created the first thrash metal album. (Kill 'Em All, 1983)
* Created a unique blend of raw power, technicality and atmospherics which broadened thrash metal's stylistic bounds. (Ride the Lightning, 1984)
Ministry
* Created the first industrial metal, along with Godflesh. (The Land of Rape and Honey, 1988)
Mysticum
* The first band to regularly incorporate industrial music elements into black metal. (In the Streams of Inferno, 1996)
Napalm Death
* Created the first grindcore album (Scum, 1987).
* One of the first bands to make regular use of blastbeats, along with Siege.
Nocturnus
* First death metal band to fully incorporate keyboards into the style. (The Key, 1990)
Pantera
* Created groove metal, along with Exhorder. (Cowboys from Hell, 1990; Vulgar Display of Power, 1992)
Possessed
* Created the first full-length death metal album. (Seven Churches, 1985)
Queensrÿche
* Created the first progressive metal, along with Fates Warning and Watchtower. (The Warning, 1984; Rage for Order, 1986)
Siege
* One of the first bands to make regular use of blastbeats, along with Napalm Death.
Slayer
* Advanced the boundaries of extremeness in metal, and were a primary influence on death metal. (Hell Awaits, 1985; Reign in Blood, 1986)
Suffocation
* Created the first brutal death metal, setting new standards for rhythm use and technical proficiency in death metal. (Effigy of the Forgotten, 1991)
Sunn O)))
* Drone doom experimenters who created a more dynamic and metal-oriented variety of the style.
Thergothon
* Created the first funeral doom. (Fhtagn nagh Yog-Sothoth, 1991)
Therion
* Created the first symphonic metal albums outside of black metal. (Lepaca Kliffoth, 1995; Theli, 1996)
* Refined symphonic metal into a sound that blurred the borders between classical music and heavy metal. (Vovin, 1998)
Venom
* The first extreme metal band, utilizing a combination of grating, heavily distorted guitar tone, rapid tempos and growling vocals. (Welcome to Hell, 1981)
Watchtower
* Created the first progressive metal, along with Fates Warning and Queensrÿche. (Energetic Disassembly, 1985)
---------------------------------------------------------------------------
Innovators closely related to metal:
Deep Purple
* A major influence on speed metal and NWOBHM through their use of galloping rhythms, aggressive vocals, and an adventurous musical tone.
Earth
* Combined elements of drone music and metal to create drone doom. (Extra-Capsular Extraction, 1991)
---------------------------------------------------------------------------
Other candidates for the list who need more discussion:
Blue Cheer (proto-metal, 1968)
Candlemass (epic doom metal, 1986)
Cirith Ungol (US-style power metal, 1980)
Dream Death (death-doom, 1987)
Faith No More (alternative/nu/funk metal, 1985)
Iron Butterfly (proto-metal, 1968)
Isis (post-metal, 2002)
Led Zeppelin (proto-metal, 1969)
Legend (epic metal, 1979)
Manilla Road (US-style power metal, 1980)
Mercyful Fate (black metal, 1983)
Meshuggah (tech death - song structure, 1995)
Motörhead (speed metal, 1979)
Mr. Bungle (alternative/nu metal, 1986)
Paradise Lost (death-doom, 1989)
Rainbow (influence on US-style power metal, 1975)
If you know of a band not yet listed which belongs on the list, post their name and an objective description of their contribution to metal (plus, if desired, the names of an album or two which exemplify this innovation), and I'll add them to the list below.
For controversial nominations, my policy will be to assume good faith initially and keep a nomination on the list until someone can either (A) point out a band that had the same innovation at an earlier time, or (B) make a solid argument that the band's innovation is too trivial to be mentioned. Also, if a faulty or inaccurate description goes up for a band, anyone is welcome to suggest a different one.
---------------------------------------------------------------------------
Atheist
* Created the first technical death metal through the use of complex riffs and varying time signatures. (Piece of Time, 1989; Unquestionable Presence, 1991)
* First band to incorporate jazz into death metal.
At the Gates
* Released the first melodic death metal album. (The Red in the Sky is Ours, 1992)
Bathory
* Set the standard for black metal. (Bathory, 1984)
* The first band to use fully-harsh, toneless vocals. (Bathory, 1984)
* Created the first folk metal album (specifically, Viking metal) by adding lyrical themes of Norse mythology and paganism, (Blood Fire Death, 1988) along with a slow-paced, epic musical style. (Hammerheart, 1990)
Black Sabbath
* Set the standard for heavy metal, and have been an influence on almost every metal band, especially in the stoner and doom subgenres for which they laid the foundation. (Black Sabbath, 1970)
Boris
* Incorporated a wide variety of rock (i.e noise, punk, pop and shoegaze) and metal (i.e. sludge and doom) styles into drone doom.
Carcass
* Created goregrind.
Celtic Frost
* Created a style of thrash metal with chaotic, dissonant riffs and occult lyrics which would heavily influence black and death metal. (Morbid Tales, 1984)
* One of the earliest groups to combine classical music with metal. (Into the Pandemonium, 1987)
Devourment
* Created the first slam death metal through the use of gurgling vocals and groove breakdowns. (Molesting the Decapitated, 1999)
Dream Theater
* Created a unique, classic rock influenced style of progressive metal which set a new standard for the genre and evolved it beyond the power and thrash dominated styles of previous bands. (Images and Words, 1992)
Emperor
* Set the standard for symphonic black metal. (In the Nightside Eclipse, 1994)
Exhorder
* Created groove metal, along with Pantera. (Slaughter in the Vatican, 1990; The Law, 1992)
Fates Warning
* Created the first progressive metal, along with Queensrÿche and Watchtower. (The Spectre Within, 1985)
Godflesh
* Created the first industrial metal, along with Ministry. (Godflesh, 1988)
Helloween
* Formulated the standard sound for European power metal. (Keeper of the Seven Keys Pt. 1, 1987)
Judas Priest
* Created a raw guitar tone and aggressive riffing style which came to characterise power metal, speed metal and thrash metal. (Sad Wings of Destiny, 1976; Sin After Sin, 1977; Stained Class, 1978)
Metallica
* Created the first thrash metal album. (Kill 'Em All, 1983)
* Created a unique blend of raw power, technicality and atmospherics which broadened thrash metal's stylistic bounds. (Ride the Lightning, 1984)
Ministry
* Created the first industrial metal, along with Godflesh. (The Land of Rape and Honey, 1988)
Mysticum
* The first band to regularly incorporate industrial music elements into black metal. (In the Streams of Inferno, 1996)
Napalm Death
* Created the first grindcore album (Scum, 1987).
* One of the first bands to make regular use of blastbeats, along with Siege.
Nocturnus
* First death metal band to fully incorporate keyboards into the style. (The Key, 1990)
Pantera
* Created groove metal, along with Exhorder. (Cowboys from Hell, 1990; Vulgar Display of Power, 1992)
Possessed
* Created the first full-length death metal album. (Seven Churches, 1985)
Queensrÿche
* Created the first progressive metal, along with Fates Warning and Watchtower. (The Warning, 1984; Rage for Order, 1986)
Siege
* One of the first bands to make regular use of blastbeats, along with Napalm Death.
Slayer
* Advanced the boundaries of extremeness in metal, and were a primary influence on death metal. (Hell Awaits, 1985; Reign in Blood, 1986)
Suffocation
* Created the first brutal death metal, setting new standards for rhythm use and technical proficiency in death metal. (Effigy of the Forgotten, 1991)
Sunn O)))
* Drone doom experimenters who created a more dynamic and metal-oriented variety of the style.
Thergothon
* Created the first funeral doom. (Fhtagn nagh Yog-Sothoth, 1991)
Therion
* Created the first symphonic metal albums outside of black metal. (Lepaca Kliffoth, 1995; Theli, 1996)
* Refined symphonic metal into a sound that blurred the borders between classical music and heavy metal. (Vovin, 1998)
Venom
* The first extreme metal band, utilizing a combination of grating, heavily distorted guitar tone, rapid tempos and growling vocals. (Welcome to Hell, 1981)
Watchtower
* Created the first progressive metal, along with Fates Warning and Queensrÿche. (Energetic Disassembly, 1985)
---------------------------------------------------------------------------
Innovators closely related to metal:
Deep Purple
* A major influence on speed metal and NWOBHM through their use of galloping rhythms, aggressive vocals, and an adventurous musical tone.
Earth
* Combined elements of drone music and metal to create drone doom. (Extra-Capsular Extraction, 1991)
---------------------------------------------------------------------------
Other candidates for the list who need more discussion:
Blue Cheer (proto-metal, 1968)
Candlemass (epic doom metal, 1986)
Cirith Ungol (US-style power metal, 1980)
Dream Death (death-doom, 1987)
Faith No More (alternative/nu/funk metal, 1985)
Iron Butterfly (proto-metal, 1968)
Isis (post-metal, 2002)
Led Zeppelin (proto-metal, 1969)
Legend (epic metal, 1979)
Manilla Road (US-style power metal, 1980)
Mercyful Fate (black metal, 1983)
Meshuggah (tech death - song structure, 1995)
Motörhead (speed metal, 1979)
Mr. Bungle (alternative/nu metal, 1986)
Paradise Lost (death-doom, 1989)
Rainbow (influence on US-style power metal, 1975)