things you hate with a passion

I think the next time I encounter one of those annoying gay rights people I'll mention that I like sticking hot noodles in my dick and then complain when they get uncomfortable.
 
But Layne contributed just as much of the sound. His voice was an instrument. Plus alot of the songs he wrote/co-wrote. He added that feeling that couldn't be there with another guy. He had real lyrics, and sang them in a way that fit the vibe...and sang them damn well. Yes, Jerry was important, but without Layne it isn't AiC. I would say the same if Jerry had died instead of Layne. They are both necessary for the band to be what it was.
 
Does it bother you when straight people do that though? If not then that's kind of an unfair double standard.

The thought of two men together is very unappealing to me... seeing two guys all over each other is even worse. (honestly to the point that I feel it's borderline disgusting)

Double standard or not.. I am going to avoid things like that at all costs... if for no other reason than it's terribly gross to me.
 
It's worse when straight people do it because it's something you want that they have and they're flaunting it. I don't want gay sex, so gay people can flirt all they want and it won't upset me.
 
I don't care if they're gay or not. I just don't want to see people sticking their tongues down each other's throats. (I have a mild phobia of saliva that intensifies this feeling)
 
I bet it would upset Ozzman if they were really huge and muscle bound.
Fixed.

I don't care if they're gay or not. I just don't want to see people sticking their tongues down each other's throats. (I have a mild phobia of saliva that intensifies this feeling)
Oh, I thought we were talking about them just hinting at the sex they have had/are going to have.
Yeah, PDAs are obnoxious.
 
I hate pretentious musicians. I'd say guitarists, but I also hate other bassists who tell me how to play my instrument. It was nice of my bandmate to bring you to our practice, but I don't care how you'd play bass in this song. I'm not you, and there are multiple and valid ways to play the bass guitar.
 
I hate pretentious musicians. I'd say guitarists, but I also hate other bassists who tell me how to play my instrument. It was nice of my bandmate to bring you to our practice, but I don't care how you'd play bass in this song. I'm not you, and there are multiple and valid ways to play the bass guitar.
Truth, like when snobby finger wanking bassists (nothing wrong at all with finger picking btw, just read on) say playing with a pick is somehow wrong....is it fuck. Define wrong.It suits the music where it sounds best, and so does finger picking. They're both the "right" way to play bass.

On that level, I can't stand wanky slappy techdeath bass playing. KLAKKLAKDUNKDUNK TWANNNGNGGGGG fuck off. I fully support the idea of bass guitar taking on a melodic role, not just as rhythm, but at least give it some MELODY, not just random slapping. ugh.
 
Truth, like when snobby finger wanking bassists (nothing wrong at all with finger picking btw, just read on) say playing with a pick is somehow wrong....is it fuck. Define wrong.It suits the music where it sounds best, and so does finger picking. They're both the "right" way to play bass.

There is no right way to play an instrument because music and art does not know limitation, and an instrument is a mere tool for the expression of art. There are no rules surrounding an instrument, the only limits it knows are aesthetic (how many octaves are within its range, how long certain notes can sustain, grace notes, where it is tense, etc.).

That and this bassist who was telling me how to play my instrument doesn't play anything compositionally independent. He just follows the guitar and switches octaves every two bars, which is something I find pointless and boring, and often inaudible.

On that level, I can't stand wanky slappy techdeath bass playing. KLAKKLAKDUNKDUNK TWANNNGNGGGGG fuck off. I fully support the idea of bass guitar taking on a melodic role, not just as rhythm, but at least give it some MELODY, not just random slapping. ugh.

I think Murray Fitzpatrick of Severed Savior does a good job of incorporating slap bass into their formula. It's a little off-rhythm and dissonant and I find it pleasing to the ear. That's an interesting take, though. My drummer and I have been trying to shift our songs toward more of a compositional standpoint where every instrument (including vocals) takes an important role and it all sort of blends together. Without anyone really playing the same thing, which bores us (but not our guitarists).