Sacha
Throbbing Member
I'm a little scared to update now honestly! I'll probably wait for a few more updates. The beta sounds really good on a lot of things anyway...
My first one got lost somewhere on its way, the second iLok took only 3 days. But I guess the regular packages take a bit longer.shit, it will surely take weeks until it's here
Why does virtual mixbus open internet port 61000 TCP and listen and virtual channel does the same on 61001?
Why does virtual mixbus open internet port 61000 TCP and listen and virtual channel does the same on 61001?
I have no idea. Yesterday was first day of ilok. Was troubleshooting erractic mouse movement to determine if ilok or vcc load related and happened to notice those network ports opening when loading vcc. It seems to open a connection for each instance up to about 3 or 4. Then if I remove all vcc instances the ports close and if I load again they do not open ports. It is consistent and can replicate it.
About VCC. The differences must be very subtle or its just time to upgrade my monitors sooner rather than later as planned.
About VCC. The differences must be very subtle or its just time to upgrade my monitors sooner rather than later as planned.
It's a cumulative effect. When you use it across all your tracks and busses, it adds up and creates a blanket of glue around the mix.
If it's anything like Nebula and/or the real console, I would say that comes at the expense of punch. Most people like to talk these things up, saying how punchy the SSL consoles sound, but that's just lies to me... you can hear it on any big name records being done on the 4ks. They have this sense of togetherness and cohesion, but the attacks and transients are all softened as a result.
You actually get the most punch mixing straight ITB, but it comes at the expense of sounding disjointed and sterile.
So once again - nothing to be gained for free.
PS. Just like mixing into a good analogue bus compressor from the start, using these saturation programs and mixing 'into' them gives you more tactile feedback, and gets your mix happening faster. It's a more dynamic and exciting way to mix - that is probably the most fun thing. You vibe from the word 'go'. Half the trouble in ITB land used to be to get things gelling together.
Why does virtual mixbus open internet port 61000 TCP and listen and virtual channel does the same on 61001?
Slate is in your computerz stealing all your naked girlfriend picz
I think you have cleaner transients without going into a desk.. but you have FATTER and more MUSICAL transients with the console. And I find that every one of the models increased kick drum punch
and made the drums clearer in the mix.
Here is an unfinished rough mix I'm working on with and without VCC.. not metal, sorry
4k on every channel and the 2bus with 8x oversampling enabled for bouncing
http://www.btkphoto.com/clients/haloeffect/haloeffect_rough_noVCC.mp3
http://www.btkphoto.com/clients/haloeffect/haloeffect_rough_4k.mp3
You actually get the most punch mixing straight ITB, but it comes at the expense of sounding disjointed and sterile.
So once again - nothing to be gained for free.