Intoxicator said:
Very interesting indeed. I was always under the impression that blues came directly from blacks, with no white influence whatsoever, but the information several of you have provided as to why it couldn't be so is very intriguing and makes a little more sense to me.
Next we will learn hip hop and rap was created by lower class white poets with cockney or appalachian accents.
Come on, the Blacks invented the blues. Surely everyone is familiar with Robert Johnson? His use of the lower stings for rhythm pretty much started rock n roll. Every rock musician from Keith Richards to Clapton, to the blues musicians, pretty much state without him, there would be no rock n roll.
Furthemore there are countless books on Son House, Robert Johnson and the Delta Blues, all played solely by Blacks. Whats next, Jazz? Will Anus make imaginary claims that whites created Jazz? And why the big problem over blacks creating a music form? why the need to deny the obvious?
A simple search resulted in this academic work by a german about the origin of the Blues:
Many blues elements, such as the call-and-response format and the use of blue notes, can be traced back to the music of Africa. Sylviane Diouf has pointed to several specific traits—such as the use of melisma and a wavy, nasal intonation—that suggest a connection between the music of West and Central Africa and blues[8]. Ethnomusicologist Gerhard Kubik may have been the first to contend that certain elements of the blues have roots in the Islamic music of West and Central Africa.
Stringed instruments (which were favored by slaves from Muslim regions of Africa…
, were generally allowed because slave owners considered them akin to European instruments like the violin. So slaves who managed to cobble together a banjo or other instrument…could play more widely in public. This solo-oriented slave music featured elements of an Arabic-Islamic song style that had been imprinted by centuries of Islam's presence in West Africa, says Gerhard Kubik, an ethnomusicology professor at the University of Mainz in Germany who has written the most comprehensive book on Africa's connection to blues music (Africa and the Blues).[9]
Oh, and the documentary on the blues someone was mentioning was by Martin Scorcese. He went to Mali and Ghana, and discovered artists like Ali Fourke Toure, who have been playing a musical form essentially the same as the blues for centuries. IT is amazing music as well. If you say listen to a really old blues master like Johnson, and one of these africans, almost everything is the same but the instruments. Even their singing.