whoa easy buddy, i didnt bring it up here, people are just always on my nuts every thread i post in
to clarify - when i said boring double bass drumming, i didnt mean simply anyone that use double pedals. when i talk about boring double bass, i mean phrases of bass drumming with a cymbal or a hi hat or whatever keeping time, and every 3rd or 4th beat a snare hit. it happens alot in opeth, which is dissappointed (there is alot of good parts, it just seems like every song has a heavy section with this.) tomas haake, i think, its a great drummer. alot of jazz drummers used the hi hat to keep 4/4 and created rhythm with the other drums, which is nice. haakes drumming is groovey like i said, danceable. most of his bass drum rhythms are not just one big even line, but quick bursts, which intermingle well with the snare hits. polyrhythmic stuff is always more interesting than even, sometimes boring drumming imo. an example i guess would be when the drumming enters in Stengah, but i also like rational gaze
to clarify - when i said boring double bass drumming, i didnt mean simply anyone that use double pedals. when i talk about boring double bass, i mean phrases of bass drumming with a cymbal or a hi hat or whatever keeping time, and every 3rd or 4th beat a snare hit. it happens alot in opeth, which is dissappointed (there is alot of good parts, it just seems like every song has a heavy section with this.) tomas haake, i think, its a great drummer. alot of jazz drummers used the hi hat to keep 4/4 and created rhythm with the other drums, which is nice. haakes drumming is groovey like i said, danceable. most of his bass drum rhythms are not just one big even line, but quick bursts, which intermingle well with the snare hits. polyrhythmic stuff is always more interesting than even, sometimes boring drumming imo. an example i guess would be when the drumming enters in Stengah, but i also like rational gaze
