Nji, Njiin, Njiiin was mostly good, but I can't decide if the odd aesthetic and themes work against the riffs, or if the uniqueness saves overly repetitive material. I am quite sure the outsider approach to drum programming works in their favor on that release. The musicality of it adds a neat dimension to material that runs the risk of being mind-numbingly repetitive. (The album could have used one more song and a bit of trimming of the last two tracks.) It sounds completely foreign to the genre, which works in context with that sound. Now, with that new song, it clashes, just like the drum machine on the recent Blut Aus Nord album. It's jarringly inhuman. Sometimes that's okay. But obviously sometimes not, especially when the goal is to sound more natural.