Black Metal.

Why are you bothering arguing something that has no real practical application? Theories and shit are nice and all, but what does it matter if it doesn't have any real application?

Of course. What's right and wrong for a person to do is, like, totally just irrelevant theory nonsense dude.
 
I'm prepared to go along with Dodens that it's stealing, at least for the sake of argument. But even that doesn't necessarily mean it's wrong. Do you accept that any act which contravenes a law, no matter how unjust the law is, morally wrong?

If the government tries to privatise my local beach and charge me entrance fees, I'm gonna try to circumvent their rules. Likewise if I have to pay for the air I breathe. The definition of what is "property" capable of being stolen is not handed down from high heaven; it's arbitrarily created by capitalist governments to protect big business.
 
Man, no one can "own" anything man.

It's all an illusion dude.

I can just imagine you coming back to this forum one day after perhaps losing your house and car due to massive economic collapse.

"What was i thinking?!", you'll say to yourself.
 
Dakryn doesn't seem to understand that not all labels are as greedy as big labels, and also doesn't get that not all bands play live shows.

Regardless of how greedy a label is, they really are an outdated form of middleman. Before the internet, besides maybe some word of mouth or a demo tape (which are extremely limited and would take forever to spread to a wide audience), the only method of broad exposure bands had was going through labels.
The internet/downloading is making the labels more and more irrelevant, and they are fighting to maintain their control (ie: their gravy train).

If an artist doesn't want to perform live that is a whole different issue.
 
Dakryn, you seem to be forgetting something that has already been discussed in this thread already. Not all bands can record their music in a DIY/home environment or afford studio time and other things related to recording, and not all bands can afford to distribute their own music internationally. Labels can provide them with the ability to do these things.
 
Dakryn, you seem to be forgetting something that has already been discussed in this thread already. Not all bands can record their music in a DIY/home environment or afford studio time and other things related to recording, and not all bands can afford to distribute their own music internationally. Labels can provide them with the ability to do these things.

I agree with Dakryn that labels are becoming less important, but there is, as you say, still an important role for labels. You start to appreciate it when world class musicians like Elend can't keep producing music because they lack the finances (and the ability to compromise their sound) to do so.

EDIT: Ah shit I only just noticed that you already mentioned Elend's predicament on the previous page. Great minds think alike :)
 
I would have to argue that the primary function of stealing, however, is not the removal of one thing from one person, but rather the acquisition of one thing by another person, and this seems to be supported by several of the definition entries in the OED that go back throughout its etymology. Many of them define the term based on the agent and not the victim, such as "To gain by secret or unobtrusive means" or "To derive obscurely and dishonourably" "To take dishonestly or secretly." Of course you can steal intangible objects. To use less controversial examples, when you use somebody else's invention idea, you're stealing. When you plagiarize another person's work, you're stealing. The problem is that your notion of stealing rests entirely on the victim and on a tangible, physical loss, and that does not cover sufficiently the entire set of objects 'things that can be stolen.' I suppose that we have reached a dead end if I can't convince you that downloading is stealing, so this will probably be my last post on the subject.
 
I was responding to Cythraul but didn't feel like quoting his post since I wasn't responding to it point by point. I completely agree with everyone's assertion that just because something is against some law that it is not necessarily unethical or immoral or even a bad thing, which is why I tried to make it pretty clear that my argument was not based on law but rather ethics and that the law merely happened to coincide with the proposition that I put forth in this particular instance.
 
Dakryn, you seem to be forgetting something that has already been discussed in this thread already. Not all bands can record their music in a DIY/home environment or afford studio time and other things related to recording, and not all bands can afford to distribute their own music internationally. Labels can provide them with the ability to do these things.

Well of course an established label provides an easier route for production, but the distribution arguement is flawed. Obviously it may be difficult sans label to sell CD's via Major music stores, but like I said, we are in the internet age now. It's time to think outside the 20th century box.
As far as production, while labels may provide easier access to quality studio equipment and producers, at what cost to the artist in the long run? With the availability of relativily cheap recording software/hardware a band can get do their own production and achieve moderate quality, and then distribute on their own through the internet. If a band becomes a success, then obviously in the future they can finance better and better menas of production themselves instead of selling their
"soul" to the middleman.
Obviously it is a more difficult route, but only because of the accepted norm of the "label system". IMO in the long run you will see more and more artists go without labels as the need for a middleman disappears with increased availability/lower prices of quality DIY recording tools and increasingly prevalent internet distribution.
 
I think the convenience and long-term profits of label contracts outweighs hazarding an independent effort to mass produce and distribute physical albums. Having a website and a Myspace page can't guarantee enough potential customers to make such an investment worthwhile.
 
Dakryn - Where are you getting at with that argument? Are you condoning the downloading culture just because you believe artists are better off without labels, so they should self-finance and distribute their work?
 
Well in regards to downloading, my stand is that it is a very grey area. It helps the unknown artist out tremendously, yet obviously does nothing for the established artist. So then are we to say it is ok to download an unsigned artist but not a signed artist? Like I said, grey area.
Then factor in that you would be supporting an artist better by attending concerts but downloading their albums etc. (In regards to people with low income who have to make choices as far as how to support an artist.)
I am not referring to a grey area as far as the law goes, but instead an ethically grey area, taking all modern factors into play (or at least all the factors I am currently aware of). Look how much music is up on youtube, I can listen to that for free whenever I want, but if I want to listen to it while not being connected to the internet suddenly it is/is more- wrong? Etc.
All in all, the subject of downloading in regards to ethics is much less cut and dried than Dodens appears to be arguing (unless I am just misunderstanding his point).
 
I, and other people here, surely have no interest at all for paying for digital copies of songs/albums. We buy things because we want the tangible disc, booklet, vinyl, poster, etc. Labels are necessary for anything beyond the most rudimentary presentation of an album in any substantial quantity (which is why you may see a band self release something at 100 or less copies). I just don't cherish CD-Rs with the band's name in magic marker very much.

It's not applicable to suggest that we support bands live. Black metal is global and obscure. Only successful bands tour, and rarely outside of their country at that. The number of bands that any one of us could reasonably see probably makes up a tiny percent of what any of us listen to.