Ah, yes. I am guilty of that.
Anyway, I picked Nightfall because it captures so well the feeling of "epic doom". The first track, Gothic Stone, may be just a short into to the first song, but it has an awesomely dark, ominous tone to it. Really helps establish the sense of emptiness, dread and impending doom. It flows right into The Well of Souls, which is my favorite Candlemass song (perhaps favorite song all together). The story it tells is perfect for a doom album, the the lyrics are phenomenal (they are on the whole album, but here especially). The last verse, in particular, really stands out to me:
A new day's dawn, holy light
Sunlight redeems
slays the dark, warms and heals, makes you
see nightmares' terror is back in your dreams
Sleep well my friend 'cause
this tale's now to end, don't
believe our world is as safe's we pretend
Awesome. At The Gallows End, Dark are the Veils of Death Mourners Lament and Bewitched also tell stories that capture the doom aesthetic with great success (especially Bewitched, imo). And, of course, the biggest reason why Candlemass own so fucking hard: The riffs are fucking kick-ass all throughout the album. (On The Well of Souls and Samarithan especially).
A lot of people might say that Samarithan is one their finest songs, if not the finest. Once again, great story, lyrics and riffage. What strikes me most about it, though, is Messiah's performance. He's great over the entire album, but here especially. He was born to sing this song.
Even the "filler" tracks are winners. I've already mentioned Gothic Stone, and then Codex Gigas and Marche Funebre are worth listening to on their own. Black Candles is a bit lacking, imo, but still good.
So, that was probably the most retardedely written review of all time, but it'll have to do.
Excellent job.