Jester Slave
Narcissist
That last chorus wasn't so bad. He did participate in Rob Zombie's "don't fucking sing anything, because you can't" school at the beginning though.
So what happens when Jesper defends ASOP? R2R-CC were sellouts, then ASOP not? But we hate ASOP and love CC, right? It's getting confusing if you/we want to enforce this narrative.
And I always said: if you hate R2R for being "sellout", then hate Clayman too. It baffles me to no end that people cream over Clayman as the last real IF record with fucking songs like OFTW and Suburban Me, like right buddy. Time travel back to TJR and show these to people. Good luck not getting beaten up, while trying to explain it's still the same "spirit" or whatever.
But you said it right: you cannot accept Clayman is the sellout album. Now, insert the same sentence, except every single IF fan says a different record in place of Clayman. To me, it's SOAPF - not sellout, but if I am forced to name the first record which is the least like IF, then I would say that. I'm sure some would even say Colony, and they wouldn't be completely wrong tbh. It was like their first really professional album. More professionalism usually means less amateurish enthusiasm, which can not be reproduced, ever.
Friend, yes, agree.Friend, Bottled (yes) and In Search For I could be passed as a combination of various older IF styles.
The thing about Clayman is they evolved or sold out or whatever you want to call it to appeal to the larger metal audience. Power metal fans, heavy metal fans, pretty much anybody in the scene could relate to Clayman in some way. It was just good solid metal music. But still, the most they sold out was to metal, not to the general public. Unless you were some sort of hardcore ideological melodic death metaler it didn’t matter much. It’s not like MDM had as much cult ideology as old school BM or DM anyway. And if you cared that much you would have abandoned them several albums earlier. Maybe after TJR. Or maybe right before.Ciko just happened to bring up those old ultra-elitist fans who said "Gayman" was a sellout album. I pointed out one reason I disagree - even the most old school metal guy of the band stood behind Clayman, and Reroute too, for that matter. I could add Clayman still sounds very much like the band who did Colony, and Reroute wasn't as different as it's made to be--in my opinion it wasn't THAT much the music itself, but the production.
Just watched a new interview with Anders, he said they're going to tour till the end of this year and will think about whats next on new year. He said we're working on something but thats it, no info. I don't think we're gonna get a new album at least till March, I hope I'm wrong.
I may have watched the same interview. At the end he says they are going to celebrate the holidays with family, then think about the next move. There “may be a new album” but that’s all he can say. I know Anders likes to give hints, but jeez we go from certain to might be. Not sure if I like the vide much.
I like the artwork. Those lyrics are lame though.Lyrics are typical Anders. Artwork looks like something out of a pre-school colouring book.
https://www.instagram.com/p/BqTds6uhE90/
New single is coming!
Anders, Bjorn, Niclas and Bryce posted this piece of art with those lyrics. There is a hashtag #iamabove, probably the new song title.
I guess Anders didn't want to reveal too much in this interview...Finally, the teasing has begun!
I’m starting to get tired of this “all about the melody” bullshit. It’s not like a 4 chord verse plus a 4 chord chorus is some rare melodical achievement. Unless you are old school death, black, hardcore/punk, or obscure noisecore you will have some melody. Basically they are saying nothing every time they say this.
Wow, interesting info. So a couple more weeks for this single to drop?I saw this on a Russian site, saying that it will be released on 07.12.2018.
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