HamburgerBoy
Active Member
- Sep 16, 2007
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Where did I infer that you said that?Where did I state that the album direction was because of his voice?
Do you really think that is just coincidental that his vocal style works for the album? Your position seems to be that his vocals on SoH are the way they are because he'd strained his vocal chords and couldn't do any better. My position is that it was a conscious move because they were trying for a more refined approach on the album and he accomplished exactly what he set out to do at the time. Anyway I'm pretty ready to agree to disagree though because we've had this argument before and I don't see either of us changing our minds anytime soon.I made a statement about his performance on the album. The fact that the album mostly works with his newer vocal style is a nice thing, but his vocals on that album are pretty bad by his previous standards. It's pretty obvious since his voice went down almost overnight.
Actually, my position is that you can clearly hear strain in his voice and that his newer vocals aren't as good as the previous ones. I stated in our previous discussion that I felt that they were appropriate for the album. I still think that they don't sound very good. You can feel that they're really refined, but I find that questionable since they aren't sung particularly well and his voice sounds obviously strained.
I have never stated, nor even suggested, that the album would benefit from vocals in the same style as their previous albums. I stated that the performance on the album wasn't that good compared to other albums. As I have repeatedly said, it is still an appropriate style for the album.
Why did you bring up Robert Plant by the way? It's only in more recent years that he lost most of his vocal range. Tom Araya was 26 when South of Heaven was recorded. There's no comparison between the two. He obviously strained his vocal cords between the recording of Reign in Blood and that of South of Heaven because there's no other explanation for someone his age to have lost a substantial part of their vocal range in such a short time. Live performances from this era of earlier songs make it even more readily apparent.
The kind of vocals Araya was doing in Show No Mercy, Hell Awaits and Reign in Blood really explain why. I don't think they sound that bad on South of Heaven but still...it definitely took a toll on him.Why did you bring up Robert Plant by the way? It's only in more recent years that he lost most of his vocal range. Tom Araya was 26 when South of Heaven was recorded. There's no comparison between the two. He obviously strained his vocal cords between the recording of Reign in Blood and that of South of Heaven because there's no other explanation for someone his age to have lost a substantial part of their vocal range in such a short time. Live performances from this era of earlier songs make it even more readily apparent.
Don't think anyone can argue with thatFor DM probably something like:
Altars of Madness
Like an Ever Flowing Stream
Realm of Chaos
Don't think anyone can argue with that
Who?!?
Haven't listened to that one actually. The only Machine Head album I've ever listened to fully is The Blackening. Might put it on the ol' backlog."Burn My Eyes" by Machine Head (Another album with the Peavey
Considering it's influence, you'd be correct. A bit repetitive though but it is what it is."Reign In Blood" by Slayer
They also sound more thrash than NWOBHM on that album."Ride The Lightning" and "Master Of Puppets" by Metallica, their thrash influence was already visible on the second album, to me some riffs on "Kill 'Em All" sound like hard rock
Yep."The Ultraviolence" by Death Angel, at least to my style on guitar playing and thrash...
They were pretty influential. That being said, I think I prefer Vulgar Display of Power and Far Beyond Driven to the other two."Cowboys from Hell", "Vulgar Display Of Power", "The Great Southern Trendkill", "Far Beyond Driven" by Pantera
Oh, it's an excellent debut. Really wish Turbin had done vocals on more albums. He was an absolute monster of a vocalist. Although, I'd probably put Spreading the Disease or Among the Living there as far as the term "classic" goes."Fistful Of Metal" by Anthrax
Hmmm...while I don't really like the band all that much, I can see why Iowa would be considered that.The first, homonimous album and "Iowa" by Slipknot. "All Hope is Gone" is also kind of a classic but is more modern, only "Psychosocial" was a popular song from it.
Yep."Blizzard Of Ozz", "Diary Of a Madman" and "No Rest For The Wicked" by Ozzy
I don't think so. Deathcore, in general, just sounds utterly awful to me. I haven't been able to find a single album from that genre that I liked and Suicide Silence's discography has been no exception to that."The Cleansing" from Suicide Silence. My favorite Deathcore album ever.
Dude, Alchemy is fucking awesome. Only douchebags hate him.So this isn't the place to declare my undying love of Whigfield?
Baby Metal is amusing, and I agree that Yngwie's "Alchemy" is a classic, but so many people hate him. I would suggest "Ecliptica" by Sonata Arctica, but again, there's little interest in their style on this thread so far.
But he's awesome though.Yngwie Malmsteen is a douchebag. He must hate himself too.
Yngwie Malmsteen is a douchebag. He must hate himself too.
Yngwie Malmsteen is a douchebag. He must hate himself too.